Private Project

The Village on the Loch

On the banks of Loch Earn at the foot of Am Bioran lies the tiny Perthshire Village of St Fillans. 2017 marked the Bicentenary of its re-naming and the whole village, with customary enthusiasm, came together to celebrate. This is the story of the village and its changing fortunes.

Archivist Jim Brierly takes us with him on a journey through time; from the Picts and the arrival of St Fillan himself, the early farming communities on the hillside, the Clearances, the foundation of the Highland Society, the arrival of the Railway and the two World Wars, right up to the present day. It is a story of endurance and of how adversity shapes and determines the survival of a community. It also reflects the challenges facing all our small, rural communities in Scotland today.

An intricate quilt made by the ladies of the village, depicting its most important features, works as a motif where we return again and again throughout the film as: Farmer, Ecologist, Child Care Provider, Shopkeeper, Artist, Skydiver, Librarian, Professor, Vicar and Jockey, each take up the threads and add their piece to the patchwork. We discover that over the centuries “although the nature of those challenges may have changed, the village pulls together in much the same way.”

Today's challenges include: the spectre of Brexit and the risk to farm payments, the closure of the village school, the closure of the railway, lack of affordable housing or child care provision. We see how restrictive legislation within the National Park impacts on tourism putting the lone village shop (a lifeline to the elderly especially during the Winter months) at risk. Limited bus services and poor internet connection make the expectations of modern life a little tricky, especially for the young. The environmental impact of intensive grouse shooting; habitat destruction, species persecution and subsequent flooding, are major concerns. The weather itself, especially in Winter, is perhaps the most unpredictable challenge of all, affecting humans and animals alike.

With major supermarkets between twenty and forty miles away and one road in and out, modern self absorption and self reliance have no place here. Generosity, compassion and concern are the norm; as one villager remarks as he tends to his own garden, ‘The elderly in this community are well cared for. These vegetables go far and wide’. The future of any community, however, relies on the young, as one interviewee points out, ‘I think if you want to keep St Fillans alive and going, you need to encourage young people to stay’ and we learn by the end of the film that a number of the families featured have sadly had to leave the village.

The film opens with the narrator asking ‘What is a village?’ and we learn it is more than the dictionary definition, ‘A cluster of houses and associated buildings, larger than a hamlet and smaller than a town’ it is the people, past and present, who have made it thrive and grow and endure. Once the destination of Royalty and global pop icons (The Beatles visited in 1964), St Fillans also provides a home for pixies and fairies! The echo of history weaves it’s way through the poetic narrative, ending with it’s greatest treasures, the villagers; who, speaking movingly to camera, share with us what this place means to them. We are left touched by their warmth, humour, compassion and values we feared were lost.

This visually captivating documentary film, showcases some of Scotland’s most stunning scenery and wildlife, courtesy of the combined and considerable filming and editing talents of Perthshire based brothers, Gabriel Bean and Danny Bean (two time British Wildlife Photography Awards 2018 Highly Commended Cinematographer) and with a moving soundtrack, including music by young Scottish composer David Chappell. The film is written, directed and produced by first time feature director Caroline Strong and is Exec' Produced by award winning TV director/writer Ade Bean.

  • Caroline Strong
    Director
  • Danny Bean
    Cinematography
  • Gabriel Bean
    Cinematography
  • Gabriel Bean
    Editing
  • Danny Bean
    Editing
  • Caroline Strong
    Writer
  • Caroline Strong
    Narration
  • Caroline Strong
    Producer
  • Ade Bean
    Exececutive Producer
  • Project Type:
    Documentary, Feature
  • Genres:
    History, Natural History, Social History
  • Runtime:
    1 hour 2 minutes 37 seconds
  • Completion Date:
    September 19, 2018
  • Production Budget:
    5,000 GBP
  • Country of Origin:
    United Kingdom
  • Country of Filming:
    United Kingdom
  • Language:
    English
  • Shooting Format:
    Digital
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    Yes
  • Student Project:
    No
Distribution Information
  • Colin Laviola 7Palms
    Sales Agent
Director Biography - Caroline Strong

CAROLINE STRONG was born in Liverpool in 1963. She has over thirty years experience in media, having enjoyed a very successful career as an actress in Television, Film, Theatre and Radio. She is probably best known for series regulars such as Margaret in ITV's wartime drama series ISLAND AT WAR, Margaret-Anne in the BBC comedy series THIN ICE and Mel Doland in YTV's EMMERDALE, with numerous featured roles and guest leads in some of of TV's most popular series and serials. Her theatre work has included seasons at The Royal National Theatre (Olivier), The Library Theatre, Manchester and The Liverpool Playhouse. As a member of the BBC Radio Drama Company at Broadcasting House she has numerous lead credits to her name. Most notably she played Georgy in the six part serialisation of Margaret Forster's, GEORGY GIRL, for which she was nominated for a Radio Times Award.

Caroline has always been passionate about conservation and in the last few years had the opportunity to co-found the small independent film company MOUSEHOLE FILMS with her sons Danny Strong and Gabriel Strong (AKA Bean), talented cameramen and editors who share her love of Natural History. Currently the team have three documentary films in production covering Natural History, History and Social History. 'The Village on the Loch' marks Caroline's debut as a feature director.

Add Director Biography
Director Statement

As a first time feature director, 'The Village On the Loch' has proved to be the inevitable baptism by fire, but it has also been the most exhilarating experience of my life. Having spent nearly thirty years in the industry as an actress, finding myself on the other side of the lens has been truly liberating.

I moved to Perthshire three years ago from Southport, in the North West of England and found myself instantly captivated, not only by its extraordinary natural beauty, but also the warmth of the people and their remarkable sense of community. I wanted to find out more about my newly adopted home and so began my research with the help of a local historian and archivist. Having already begun the process of setting up a small family production company, I soon realised this was the project I wanted to work on as my debut piece.

Interviewing local people and discovering their passions, concerns, hopes and aspirations for the future has been a privilege and an extraordinary journey. The warmth and support shown by this community during the making of the film has been touching and humbling. Early on in filming I wanted to set up a football match with the local children and I was advised to put out a message on the Village website. So imagining that perhaps a few kids might turn up for a kick about, we set up in a field and waited in the rain, with nothing but hope, soggy biscuits and some watery squash. As I watched over thirty children and adults (plus dogs!) coming our way over the fields (the majority of whom were strangers at that point), I knew this was something special.

I feel a huge debt of gratitude and a responsibility to bring the story of this unique community to life, with the authenticity and enthusiasm that defines it. Working alongside my sons Gabriel Strong and Danny Strong (AKA Bean) for the past year has been a dream working environment. I am constantly in awe of their incredible talents as cameramen and editors. I am also grateful for their energy and huge commitment in helping me bring this piece to life and for having faith in this ‘old-timer’.