Experiencing Interruptions?

The ‘Strangers’ Home

“If you don’t tell your story, someone else will tell it for you.”

The past collides with the present in this invigorating retelling of the history of Royal Docks in East London. The ‘Strangers’ Home was a residential home in Limehouse, in the Royal Docks area of East London. It provided temporary accommodation for Asian and black sailors (lascars) who came from across the British Empire and worked on European ships between the 16th century and the mid-20th century. The film tells the story of what became one of Britain’s most ethnically diverse places in the early twentieth century, focussing on personal family memories of the settlers’ descendants.

The area around London’s Royal Docks transformed rapidly from the 1850s onwards to handle the trade from Britain’s global empire. Men who worked in the docks came from all over the world, with many settling in Newham and raising children with local women. The film tells the story of the Lascars and their descendants living in East London by exploring the development of the Royal Docks as another home for strangers and its lasting impact on the surrounding areas. Many workers settled and had families, became part of the community, and developed the present-day Royal Docks, Newham, and East London, making it one of the most culturally diverse places anywhere in Britain.

The film mixes archive and contemporary footage, past and present, interviews with descendants of the community to explore stories that have been lost, forgotten or misshapen by the media. The focus of the film is how the media portrayed migrants and mixed families, fuelling a moral panic during the 1930s. The film depicts how the workers were welcomed to cover the needs of the British Empire during the First World War, but were soon vilified and used as scapegoats by the government, the press, and locals for taking jobs, houses and suppressing wages. It is a story that is still being spun about immigrants today.

  • Fotis Begklis
    Director
  • James King
    Producer
  • Project Type:
    Documentary
  • Runtime:
    45 minutes
  • Completion Date:
    July 1, 2024
  • Production Budget:
    25,000 GBP
  • Country of Origin:
    United Kingdom
  • Country of Filming:
    United Kingdom
  • Language:
    English
  • Shooting Format:
    Digital
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • Totally Thames Festival 2024
    London
    United Kingdom
    September 1, 2024
    UK
    Offical Selection
Director Biography - Fotis Begklis

I have developed a body of creative work that includes independent documentaries, cross-media projects, nonfiction films, and experimental video projects. In my work, I am primarily interested in cinema’s ability to evoke poetry and memory and the power of film montage.

I have experience producing, shooting, editing, researching and directing a wide range of documentaries and non-fiction projects. I have worked with many artists, corporate brands, musicians and local communities and collaborated on innovative historical, educational and artistic projects. I love working and collaborating with local communities and have worked with various underrepresented groups and voices across the UK. My creative work constantly explores innovative ways of making films to tell engaging stories that are deeply rooted in people and local communities and explore social issues.

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Director Statement

“The 'Strangers' Home" is produced by Thames Festival Trust as part of the Totally Thames Festival 2024. The film provokes questions and opens a dialogue that challenges the current limited narratives about migration, the British Empire and the media, that have shaped recent debates about immigration in modern Britain. The film’s title suggests a dialectic association between strangers and home, amplifying tensions between past and present, emphasising the cumulative effects of colonial practices on the development of the Royal Docks area. The ‘Strangers’ Home offers a glimpse between the images of past and present to unearth the unspoken stories of many voices and make the invisible visible.