The Nude Model

While posing for a group of male artists at their weekly drawing session, a female figure model becomes the silent audience to their deeply misguided man-to-man musings. What should be a peaceful few hours of art-making turns into a highly inappropriate roundtable discussion of epic proportions. The aftermaths of childbirth, the number of hot Jennifers in Hollywood and the model’s very own cellulite all get a mention as they sketch the hours away… oblivious to the discrepancy between the sensitivity of their brushwork and the crudeness of their thinking.

The film features actress and creator, Charlotte Bydwell, in all the roles — shifting from the overly demure young model to each of the wildly offensive men and back again. By taking on the unusual challenge of featuring a single actor, the film blurs the line between the male perpetrators and their female victim. Using heightened theatricality, it raises real issues of power dynamics, social graces and sensitivity towards members of the opposite sex. It also asks us to think about the nature of artistic talent and what can be forgiven in the artists we admire. In the end, no one takes a major leap towards radical transformation, but both parties take a small step towards increased understanding, empathy and respect.

  • Charlotte Bydwell
    Director
  • Charlotte Bydwell
    Writer
  • Charlotte Bydwell
    Producer
  • Ron W. Black
    Producer
  • Gregory Accetta
    Producer
    Four By Four
  • F. Daniel Penrod IV
    Producer
    The Marvelous Mrs Maisel, Ballers, House of Cards
  • Kristen Troyansky
    Producer
    Billions, The Marvelous Mrs Maisel
  • Charlotte Bydwell
    Key Cast
    "Richard, Derek, Francois and Charlotte"
    Life of Significant Soil, Elementary, The Good Fight, among others.
  • Brendan H. Banks
    Director of Photography
  • Anna Driftmier
    Production Designer
  • Zana Bochar
    Editor
    Noah, Girls Trip, Top Five, The Marvelous Mrs Maisel
  • Andrew Gerhan and Kathryn Musilek
    Sound Design
  • Jessica Holt
    Performance Coach
  • Sarah Cimino
    Makeup and Hair Design
  • Project Type:
    Short
  • Genres:
    Comedy Drama
  • Runtime:
    15 minutes 32 seconds
  • Country of Origin:
    United States
  • Country of Filming:
    United States
  • Language:
    English
  • Shooting Format:
    RED
  • Aspect Ratio:
    1.85
  • Film Color:
    Color
  • First-time Filmmaker:
    Yes
  • Student Project:
    No
Director Biography - Charlotte Bydwell

Originally from Montreal, Charlotte moved to New York City to study dance at the Juilliard School. Upon graduating, she performed with Monica Bill Barnes & Company and Keigwin + Co., appearing at Jacob’s Pillow, American Dance Festival, La Jolla Playhouse and The Joyce Theater, among others. She also represented the USA and Canada as a danceWEBber at Vienna’s Impulstanz Festival, the world’s largest contemporary dance festival.

She went on to pursue acting, receiving her MFA from the Old Globe/USD Graduate Theatre Program. She has performed at many leading theaters across the USA (including the Old Globe, the Williamstown Theatre Festival, the Flea Theatre) and worked with acclaimed directors such as Richard Nelson, Scott Ellis, David Hyde Pierce and Barry Edelstein. Some favorite theatre credits include: the emcee in Company XIV’s burlesque extravaganza 'PARIS!' and Vanda in David Ives’ 'Venus in Fur' at the Virginia Stage Company. On camera, Charlotte has appeared in numerous award-winning short films and starred in the indie feature film, “Life of Significant Soil”. Television credits include roles on ‘Elementary’ (opposite Lucy Liu) and ‘The Good Fight’ (opposite Delroy Lindo).

She began developing solo material in 2011 and premiered her debut one-woman show, ‘Woman of Leisure and Panic’, as part of the 8th Annual soloNOVA Festival (New York Innovative Theatre Award for Outstanding Performance Art Production), It was remounted for performances at the New York International Fringe Festival, Anita’s Way (an outdoor venue in Times Square) and the 2016 First Person Arts Festival in Philadelphia. It was also been translated into Spanish and performed across Mexico. Charlotte’s other creative works have been shown at Judson Church, 9th Space (P.S. 122), the Center for Performance Research, Chez Bushwick, the Peter Jay Sharp Theatre (Lincoln Center) and the Meredith Wilson Black Box. Her first foray into one-woman filmmaking, ‘The Nude Model’, is in the final stages of post-production and will be premiere later this year.

More info: www.charlottebydwell.com

Add Director Biography
Director Statement

“The Nude Model” is the story of a young woman posing for three male artists at their weekly drawing session. These few hours spent in the company of a single model allow the men to practice their craft and to vent about the woes of their male existence. As the model lies in a strenuous position of their devising, the artists discuss everything from dealing with hormonal girlfriends, to “hot” female celebrities, to children killing the momentum of their careers.

At a time when male/female relations are very much under the microscope, this retelling of one woman’s experience on a chaise lounge feels absolutely necessary. Based on an experience I had working as a figure model in NYC, it uses heightened theatricality to tackle real questions surrounding power dynamics, social graces and insensitivities towards members of the opposite sex. On one hand, these men idealize and revere their female visitor for the artistic inspiration that she provides, but they also forget that there’s a brain and a heart inside the curves of her silhouette.

The model is forced to consider whether she is a silent vehicle for the creation of art or a woman who has been gifted a platform to re-educate some very misguided members of the male sex. Staging protests and championing female empowerment is not this young woman’s typical Saturday morning agenda, and she is not sure whether she is up to the task at hand. With some cash on the line that she needs to survive the weekend, she is also not sure that a heated departure empty handed is within the realm of feasibility.

By the end of the session, the model’s opinion of the male artists is thrown into question when she catches a glimpse of their work. Suddenly, the film shifts from an investigation of male/female relations to a consideration for the true nature of artistic talent. The ability to expose something about the human condition skillfully through art is an incredible gift, but it does not necessarily transform the entire identity of the artist. Thus, what can we forgive in the artists that we admire? Can exhibiting an incredible sensitivity to shape, color and composition redeem a seemingly immature and tactless individual? Can we value an artist’s talent without respecting them as human beings?

By taking on the unusual challenge of featuring a single actress in all the roles, the film blurs the line between the male perpetrators and their female victim. Each can be reprimand for some facet of their behavior throughout the narrative, but is also given an opportunity for redemption. In the end, no one takes a major leap towards radical transformation, but both parties take a small step towards increased understanding, empathy and respect.