The Noise of Time
In the town of Xoco, the spirit of an old villager awakens in search of its lost home. Along its journey, the ghost discovers that the town still celebrates its most important festivities, but also learns that the construction of a new commercial complex called Mítikah will threaten the existence of both the traditions and the town itself.
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Patricio EscartínDirectorThe Bastard Son
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Patricio EscartínWriterThe Bastard Son
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Patricio EscartínProducerThe Bastard Son
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Alfonso EstradaKey Cast
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Berenice MorenoDirector of PhotographyEmpty Shelves
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Daniel AlejandroSound Design
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Xánath RojasProduction DesignÁngel
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Daniel PrietoMusic
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Luis SánchezEditor
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Project Title (Original Language):El ruido del tiempo
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Project Type:Documentary, Short, Student
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Genres:Documentary, Fantasy
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Runtime:12 minutes 4 seconds
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Completion Date:April 12, 2024
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Production Budget:560 USD
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Country of Origin:Mexico
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Country of Filming:Mexico
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Language:Spanish
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Shooting Format:Digital
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Aspect Ratio:14:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:Yes - National School of Film Arts
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Axapusco International Film FestivalMorelos
Mexico
May 17, 2024
Mexican Premiere
Honorable Mention -
Festival of Moving Image (FOMI)London
United Kingdom
May 20, 2024
United Kingdom Premiere
Official Selection -
Young Creative AwardsParis
France
June 12, 2024
French Premiere
Official Selection -
Duemila30Milan
Italy
June 27, 2024
Italian Premiere
Official Selection -
ELIPSIS Cinematographic Arts and Sciences International MeetingPachuca, Hidalgo
Mexico
July 26, 2024
Cortometraje Universitario -
Festival Internacional de Nuevo Cine IndependienteBuenos Aires
Argentina
July 30, 2024
Official Selection -
La Sur Real Film FestivalBerlin
Germany
August 17, 2024
German Premiere
Official Selection -
Muestra Fílmica ENAC 2024Mexico City
Mexico
August 17, 2024 -
Shorts MéxicoMexico City
Mexico
September 1, 2024
Muestra Mexicana -
Golden Thesis Film FestivalCalifornia
United States
September 20, 2024
North American Premiere
Official Selection -
Neosfest Encuentro Internacional de ExperimentaciónPuebla
Mexico
November 6, 2024
Official Selection
Distribution Information
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National School of Cinematographic ArtsDistributorCountry: MexicoRights: All Rights
Patricio Escartín is a film director who recently directed The Noise of Time (2024), a documentary short film that explores the conflict between tradition and modernity in the town of Xoco, Mexico City, and the Mítikah commercial complex. The film has been selected at over 15 festivals worldwide and received multiple nominations and distinctions, including El Universal's mention of "The Best of Mexican Cinema 2024."
Currently, Patricio is in his eighth semester of a degree in Cinematography at the University of Essex, United Kingdom, as part of the UNAM exchange program, where he studies at the National School of Cinematographic Arts (ENAC) in Mexico.
He began his career with The Bastard Son (2019), his first short film, which was selected at two online festivals. That same year, he was recognized for his research in cinema, winning First Place in UNAM’s Youth Research Program at the National High School of UNAM.
He later studied at the Dramatic Literature and Theatre College at UNAM while working as a production assistant at companies such as Guayabo Films and Landia, contributing to the production of music videos. During the pandemic, he continued his education through online film courses until he entered ENAC in 2021.
Patricio has participated in various student and independent short films, taking on multiple roles, including Director of Photography (DP), Production Designer, Producer, Editor, Sound Designer, and Assistant Directing (AD).
"The Noise of Time" emerges from my desire to delve into the exploration of the emotional state of a person who, despite losing everything they knew, realized that their purpose lay in those moments that belonged to their home. The aim was to make this premise as cinematic as possible through a constant point of view. Similarly, the short film also aspires to both move and provoke the audience, making them question the legitimacy of the construction of malls like Mítikah, causing the displacement of native people and their customs.