The Last Ferry From Grass Island
A Hong Kong hitman retires as a fisherman on the peaceful Grass Island. One day, his Chinese apprentice shows up, tasked to kill him before the last ferry departs.
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LINHAN ZHANGDirector
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LINHAN ZHANGWriter
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CLIFFORD MIUProducer
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Tai BoKey Cast"A Hoi"
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Wang YangKey Cast"Xiaoma"
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Project Type:Short, Student
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Genres:Thriller, Drama, Family
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Runtime:13 minutes 46 seconds
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Completion Date:February 1, 2020
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Country of Origin:Hong Kong
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Country of Filming:Hong Kong
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Language:Chinese
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Shooting Format:Digital
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Aspect Ratio:4:3
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:Yes - NYU Tisch School of the Artes
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Tribeca IFF
United States
World premiere - No public or online screening (Covid)
Student competition - Special jury mention -
Cannes Film Festival - Cinéfondation
France -
Palm Springs ShortfestPalm Springs
United States
No public or online screening
Competition -
Calgary FF
Canada -
Raindance FF
United Kingdom -
Encounters FF
United Kingdom -
Stockholm IFF
Sweden
Swedish premiere -
Toronto Reel Asian FFToronto
Toronto Premiere -
Aspen Shortfest
United States
April 15, 2021 -
Santa Barbara IFFSanta Barbara IFF
United States
April 18, 2021 -
Shanghai IFFShanghai
China
China / East Asia premiere
Distribution Information
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Shortcuts / Elise NotseckDistributorCountry: FranceRights: All Rights
Linhan Zhang, born on 17 January 1997, was a film and television undergraduate at NYU’s Tisch School of the Arts. He was one of the fifteen 2017-2018 Sundance Ignite Fellows, and one of the twenty recipients of the 2019 Adobe Creativity Scholarship.
Growing up in Hong Kong, I have always been inspired by the 1990's HK action films from directors like Johnnie To and John Woo. Within this genre, a classic character quickly rose to prominence : the hitman. Their young lives were filled with danger, suspense, and mystery. However, I recently began to wonder : what would their lives be like in 2019, stuck in physical decline and retired to civilian life?
Two months before we commenced production, the 2019 HK protests started. Like every citizen, I found myself sucked into the largest demonstration of revolt since the 1997 handover.
As my hope for peaceful protest was gradually diminishing, I began to treat this film as my emotional response to te ongoing social unrest. I fantasized that two individuals could uphold honor and respect despite their opposing objectives.
I chose to set the story on Grass Island, which lies on the HK/China border.