The Greatest Duel of All Time
An intense stand off between two individuals to see who will win the ultimate prize.
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Henry Roa DelucaDirectorStealing Retro, Tamad, My Special Day
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Sarah Heewon HanKey Cast
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Nick AlfieriKey CastCorrelation
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Jeremy SantiagoCameraThe Sounds of Kansai, The Red String of Fate
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Project Type:Short
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Runtime:1 minute 59 seconds
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Completion Date:January 27, 2018
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Production Budget:8 USD
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Country of Origin:United States
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Country of Filming:United States
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Language:English
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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FLICKFAIR ON-DEMAND FILM FESTIVAL
United States
December 1, 2021
December 1, 2021 (On-Demand)
Official Selection -
Another Hole In The Head Film FestivalSan Francisco
United States
December 15, 2019
Official Selection
Henry's passion for filmmaking began when he was 9 years old when his teacher brought in a video camera to allow students to perform improv skits. His passion for writing short stories allowed him the opportunity to adapt them on screen. Henry watched the behind-the-scenes featurette and documentaries of his favorite movies, thus inspiring him to become a filmmaker.
Henry studied filmmaking at San Francisco State University, and graduated with a BA in 2016. He is currently writing a sci-fi thriller novel in which he hopes to adapt to a film.
Everywhere I go out in public, I notice many people always resolve a conflict using strong language and/or have physical confrontations with each other. I asked myself, "What if there was a simpler way to make decisions that don't have to deal with heavy conflict?" That was when I came up with writing "The Greatest Duel of All Time" to explore this question.
In the film, our characters face off against each other over an ultimate prize. We expect an ultimate showdown with high quality fight sequences, but I chose to take a different approach to the characters' dilemma where it not only involves suspense but with humor and later ending on a sweet note. It would have worked with dialogue, but in order to show the intensity it was decided that it all had to depend on the actors' emotion.
The inspiration for the conflict in the film was taken from my interactions working with children using restorative practices, teaching them the best ways to avoid arguments and physical confrontations. I was going to feature child actors, but after realizing 3 hours in the late afternoon before sunset to shoot the movie is not enough, I decided to shoot the film with adults who were able to accomplish the story I wanted to tell. It also made the story a little funnier with adults using childish games to resolve their conflict.
When people see this film, I hope they will come to realize there are simpler and perhaps fun ways to resolve a conflict without resorting to more difficult confrontations.