Script File

The Go-Go District

A recently released convict joins a struggling Go-Go band in Washington D.C., using the chaotic and soulful music scene as a path to redemption while striving to pay for his younger brother's prestigious music fellowship.

  • Travis Houze
    Writer
    Sounds of the Summer, The Rel Carter Culture Tour
  • Project Type:
    Screenplay
  • Genres:
    Drama, Musical
  • Number of Pages:
    105
  • Country of Origin:
    United States
  • Language:
    English
  • First-time Screenwriter:
    No
  • Student Project:
    No
  • Flight Deck Film Festival
    New York, NY
    September 26, 2020
    Best First Time Screenwriter
  • Slamdance Screenplay Competition
    Part City, Utah
    September 8, 2020
    Quarterfinalist
  • SYS Six Figure Screenplay Contest

    November 4, 2020
    Runner Up
  • Artist Emerged Initiative: Film Contest

    November 20, 2020
    Finalist
  • WeScreenplay Diverse Voices

    November 20, 2020
    Semifinalist
Writer Biography - Travis Houze

Washington D.C. native Travis Houze grew up immersed in creativity, sparking his passion for storytelling at an early age. By the age of 12, he was already filming and crafting documentary-style narratives, focusing on the lives of those closest to him. This early exploration of visual storytelling evolved into a distinct style that caught the attention of musicians and influencers.

In the 2020’s, Travis shifted his focus to screenwriting and directing. His short film Polar Opposites was featured as part of the anthology project Changes 00:08:46, produced by Heartfelt Pictures and released in 2023 on Amazon Prime and Tubi. With a unique voice and an eye for compelling visuals, Travis continues to craft stories that resonate with audiences and push creative boundaries.

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Writer Statement

Growing up in Washington, D.C., I was inspired to create a story that celebrates Go-Go music and the relationships that shaped my love for the genre. My first introduction to Go-Go came at the age of 10 through a close friend who taught me the nuances of the music—much like Talik’s journey early in the story. As I immersed myself in the genre, I discovered not only its infectious energy but also its unique ability to bring people together in ways no other music could.

When I began writing this story in late 2018, Go-Go was at a crossroads. While the community still thrived, gentrification had significantly impacted the availability of spaces for bands to perform, leaving the genre in a state of uncertainty. It felt as though many had relegated Go-Go to the past, treating it as a relic rather than a living, breathing culture.

My hope for this story is to give a faithful telling of the resilience of the Go-Go community and present it in an accessible format that all audiences the keep going with the music.