The Fitting

I try on different identities like I try on clothes. They are people I knew and whose story I continue as a “descendant”. Who am I and what have they made of me? Does a part of them live on in me? For the moment of this installation, they come alive again through me.

  • Erika Kassnel-Henneberg
    Producer
  • Erika Kassnel-Henneberg
    Director
  • Project Type:
    Animation, Experimental, Short, Web / New Media
  • Genres:
    Video Art
  • Runtime:
    3 minutes 3 seconds
  • Completion Date:
    April 9, 2022
  • Country of Origin:
    Germany
  • Country of Filming:
    Germany
  • Language:
    English
  • Shooting Format:
    Digital
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • Frame & Frequency
    Rockville, Maryland
    United States
    May 7, 2022
    Official Selection
  • Feminist Border Arts Film Festival
    Las Cruces, New Mexico
    United States
    June 1, 2022
    Official Selection
  • 1° Pan Cinema - International Experimental Film Festival Curitiba
    Curitiba
    Brazil
    June 22, 2022
    Official Selection
Director Biography - Erika Kassnel-Henneberg

Erika Kassnel-Henneberg is a conceptual and video artist with German-Romanian roots. In her works, she explores the process of remembering and questions identity as an artificial construct between reality and fiction.

Erika Kassnel-Henneberg studied Restoration at the Bern University of the Arts / CH and Interactive Media at the Augsburg University of Applied Sciences / DE. She has been working as an artist since 2010 and lives in Anhausen near Augsburg. Her works are shown nationally and internationally in exhibitions and festivals, such as FILE – Electronic Language International Festival in Sao Paulo / BRA or IVAHM – International Video Art House Madrid / ES.

2022 she received the Augsburg District Art Prize for her body of work.

Add Director Biography
Director Statement

We are the narrative of our own memory and the memory of others about us. This is how our identity is formed in a chronological context.

But today we know that memory is neither true, nor objective, nor complete. We lay traces, collect documents and photographs, and archive them. I see in this an existential doubt: who am I really if I cannot trust my memory and the memory of others? If I leave no traces, did I ever exist?

In the digital age, cloud archives with huge storage volumes are our memory. Algorithms collect vast amounts of data and traces that we leave behind in the infinite expanse of the internet. They find everything and forget nothing. They seem to know us better than we know ourselves. And more than that – they even know with statistical probability what we will do next.
Can they tell us who we are? Can we trust them? Or are these also just distorted images of artificial intelligences whose logic and intentions no one can see through?

The focus of my interest is the human being with his subjective perception and his ability to remember, to forget, to associate and – consciously or unconsciously – to think up his own utopias.