Password
Project Link
https://drive.google.com/file/d/1WiX5XyVI88eTNi-Lur_j-pDADAI7yaJp/view?usp=sharing

The Dream Of Super Bridge

In Wuhan, China, people are constructing a colossal bridge over the Yangtze River. Throughout the challenging construction process, they are under immense pressure. Through our cameras, we capture the story of two migrant workers at the bridge site. Day after day, far from their families, they too have their own glories and dreams, troubles and hopes. This story is a portrait of an era, featuring their firm backbones and advancing steps in the narrative of the Chinese Dream and China's rapid development.

  • Yang Wang
    Director
    《WEAVING》、《China Gate》
  • Qunshe He
    Writer
  • Jia Zhao
    Producer
  • Wenbing Ma
    Key Cast
  • Project Title (Original Language):
    江桥梦
  • Project Type:
    Documentary
  • Runtime:
    1 hour 10 minutes
  • Completion Date:
    July 10, 2024
  • Production Budget:
    150,000 USD
  • Country of Origin:
    China
  • Country of Filming:
    China
  • Language:
    Chinese
  • Shooting Format:
    Digital
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • No
Distribution Information
  • No
Director Biography - Yang Wang

Documentary Director, whose works have been nominated at various domestic and international film festivals. He has won awards including Best Director at the Moscow International Documentary Film Festival, Best Film at the French Silver Screen Film Festival, and the Audience Choice Award, among other national and international accolades. His notable works include "WEAVING" and "China Gate". He has received support from three major documentary art funds: the IDFA, the Sundance Documentary Fund, and the Busan AND. As a film critic, he founded "Young Cinema Manual" in 2007 and has been writing columns for newspapers and magazines for many years, continuously promoting film culture.

Add Director Biography
Director Statement

Beneath the steel and concrete of the mega-projects, I focus on the state and fate of individuals. The mega-project is like a magnificent stage, and the destinies of the characters unfold upon this stage. I am interested in how individual dreams genuinely intersect with these larger concepts. Through documentation and observation, I also contemplate the physical and emotional costs individuals pay for survival and development. Additionally, in the documentary, I realize that through actions and movements, beyond the story, the images themselves may touch upon a reality that transcends the tangible.