The Catharsis
In the developing suburbs, massive infrastructure development will take place in the near future. Jamal, a young worker began to travel to various places with round naked. A number of landscapes are interrupted by the naked body of an worker person. Travel through space and time to touch the landscape that will soon disappear.
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Riski RiandaDirector1. Bualan yang Magis (2019) : Script Writer, Director & Editor, 2. Katarsis yang Tak Kunjung Selesai (2020) : Script Writer, Director & Producer, 3. Tak Ada Perayaan Hari Ini (2022) : Script Writer, Director & Editor, 4. Rainbow Cake (2021) : Producer
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Riski RiandaWriter1. Bualan yang Magis (2019) : Script Writer, Director & Editor, 2. Katarsis yang Tak Kunjung Selesai (2020) : Script Writer, Director & Producer, 3. Tak Ada Perayaan Hari Ini (2022) : Script Writer, Director & Editor, 4. Rainbow Cake (2021) : Producer
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Riski RiandaProducer1. Bualan yang Magis (2019) : Script Writer, Director & Editor, 2. Katarsis yang Tak Kunjung Selesai (2020) : Script Writer, Director & Producer, 3. Tak Ada Perayaan Hari Ini (2022) : Script Writer, Director & Editor, 4. Rainbow Cake (2021) : Producer
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Antonius ZegaKey Cast"Jamal"
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Project Title (Original Language):Katarsis Yang Tak Kunjung Selesai
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Project Type:Experimental, Short
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Runtime:19 minutes 57 seconds
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Completion Date:June 10, 2020
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Country of Origin:Indonesia
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Country of Filming:Indonesia
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Language:No Dialogue
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Shooting Format:HDcam
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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ARKIPEL - Jakarta International Documentary & Experimental FIlm FestivalJakarta
Indonesia
December 6, 2021
In Competition - Candrawala -
Layar Terkembang Film WeekPadang, Sumatera Barat
Indonesia
March 24, 2022
Official Selection -
MidSummer Film FestivalBali
Indonesia
August 22, 2020
Official Selection - Director's Vision -
Jogja Film Academy Short Film FestivalYogyakarta
Indonesia
March 15, 2020
Official Selection
Riski Rianda (Kuala Lumpur, 1997) is an independent writer and filmmaker active in Yogyakarta, Indonesia. He has been involved in several art projects with Portaleka Choreography, Galeri Indonesia Kaya, Salihara Arts Center, ARTJOG, Indonesian Dance Festival. Some of the festivals he participated in as a collaborator included Ruang Kreatif Seni Pertunjukan 2020, Helatari Salihara 2021, Daily Performance ARTJOG 2021, Kampana Indonesian Dance Festival 2022. His short film, Katarsis yang Tak Kunjung Selesai selected to competition at ARKIPEL - Jakarta International Documentary & Experimental Film Festival 2021.
At a time when the climate crisis is happening in the world and is getting worse today, humans are actually showing their arrogance by increasingly damaging the environment and its biodiversity through massive industrialization development. Development is carried out by taking people's land and eliminating forests causing endless deforestation. In Indonesia, deforestation and land grabbing have been normalized in the name of massive development.
Land grabbing also occurred in Yogyakarta. Srimulyo Village as the largest village in Bantul was appointed as a Piyungan Industrial Estat by the Sultan of Yogyakarta in 2000. The impact has been prolonged to this day, the damage to waterways has resulted in Srimulyo Village being frequently flooded. The land is getting eroded day by day for industrial areas and people are more vulnerable to being evicted. Another village land that was seized was Sinduadi Village. There stood Jogja City Mall and Sindu Kusuma Park. The Yogyakarta Palace family also opened a Jogja Bay tourism business in Maguwoharjo Village, one of the largest waterparks in Southeast Asia.
The environmental permit of each building contains many irregularities. All of these policies were determined by the Governor of Yogyakarta without involving the village community. Currently, many village lands are requested Sultanate of Yogyakarta to recertification. This effort was made to accelerate the agro-tourism business which can accommodate tourism needs from the presence of the Yogya International Airport which has robbed the people of Kulon Progo's living space. Today's civilization is highly competitive, individualistic, with unequal rhythms of production and consumption, disproportionate profits because it is only for a few people.
Land grabbing as a community's living space tends to be facilitated by the State. Living spaces that contains diverse landscapes are not considered important. The state comes by pulverizing the landscape little by little. Landscapes clearly keep a history of all social and political fluctuations that occur in a location. The position of the landscape is only used as an objectification. The pace of modernity and tyranny allows all of these things to last for a long time. Landscape as a living space that provides a livelihood is not interpreted as anything other than as a background, or its beauty as an accessories. Positioning the landscape as the main subject will allow the landscape to speak for itself and not be constantly crushed by the authority of power.