Private Project

Tell Me I'm Not Alone

‘In the stillness of your presence, you can feel your own formless and timeless reality as the unmanifested life that animates your physical form. You can then feel the same life deep within every other human and every other creature. You look beyond the veil of form and separation. This is the realization of oneness. This is love’. - Eckhart Tolle

A male figure kneels on a bed of flowers, his back to the viewer he has a strong and powerful presence, almost archetypal in his portrayal of classical male beauty. The Flowers act as a Memo Mori to remind us
of the painful beauty of impermanence. The soundtrack Spiegel im Spiegel (Mirrors in the Mirror) is of reflection and eternity, Interior and exterior space is explored through visuals which are painterly and at times capture a kind of voyeurism much like that shared between an artist and his subject. As the camera abstractedly pans across the young mans body we become lost within a sensual landscape of flesh and hair, broken only by a hand that emerges and slips snake-like into a pair of white briefs. Following a dream-like sequence of stretching and caressing the pace builds momentum and a dialogue emerges between the disrupted imagery of a powerful dance and the protagonist’s urge for violence. As his body crashes to the floor violence gives way to emotional fragility. Raw and physically exhausted his once powerful presence has been replaced with a more fragile beauty. We are finally left with the striking image of the young man, childlike fetal and feral, surrounded by desecrated petals.

  • Michael Gurhy
    Director
  • Michael Gurhy
    Writer
  • Michael Gurhy
    Producer
  • Francesco Migliaccio
    Key Cast
  • Marco Inve
    Postproduction / Editing
  • Michael Gurhy
    Postproduction / Editing
  • Tom Wright
    Camera and Lighting
  • Cuan Roche
    Camera and Lighting Assistant
  • Project Type:
    Experimental, Short
  • Genres:
    Art, Experimental, Videoart, LGBT, Queer, FineArt
  • Runtime:
    7 minutes 20 seconds
  • Completion Date:
    November 20, 2021
  • Production Budget:
    2,000 GBP
  • Country of Origin:
    United Kingdom
  • Country of Filming:
    United Kingdom
  • Language:
    English
  • Shooting Format:
    Digital
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
Director Biography - Michael Gurhy

Film Festivals

Bath, Cork Film Festival, Made in Cork, October 2005

Four Short Films, Cork Film Festival, Made in Cork, October 2005

K, 24 Hour Film Making Marathon, Kino Cinema Cork, February 2006

Candy and Emo Kiss, Cork film Festival, Made in Cork and The Outlook Program, October 2007

Bath, Queer Lisboa 12- 12th Lisbon Gay and Lesbian Film Festival which will take place from 19th to 27th September 2008.

Bath, 4th Edition, LGBT Film Days in Riga, Latvia, April 2009

Prizes and Awards

The Crawford Open Artist Award selected from over 750 applicants by Francis Morris and Enrique Juncosa.

The Installation/Video Award from the Cork Film Centre.

The U.C.C. Purchase Prize selected by the Glucksman Gallery for the University College Cork Collection

The Arts Festival Prize Award given by the Cork Institute of Technology.

Add Director Biography
Director Statement

Michael Gurhy’s work “is small-scale work but potent in terms of emotion. His work addresses youth culture but evokes a knowledge of the unforeseen, of premonition” - Francis Morris, Head of Collections International Art, Tate Modern & Enrique Juncosa, Director, Irish Museum of Modern Art.

The work is categorised between Freud's two fundamental drives of Eros (The life instinct, which include sexual instincts and the drive to live) and Thanatos (the drive of aggression, sadism, destruction, violence, and death) From a psychoanalytic viewpoint the work is confronting attachment and trauma, childhood fears, fear of abandonment and ultimately the fear of death while transience, beauty and loss read as a subtext. Blurring the lines between fantasy, reality and biography, the work takes on an ‘otherworldliness’ where anthropomorphic animals are messengers and the male body a psychological landscape exploring the corporal and the transcendental.

Visually arresting and emotionally charged, his photographic and video based works reflect a background in painting and an affinity with the visuals of Art History and French Cinema, their strong sense of narrative link to the other mediums within the scope of his multidisciplinary practice.