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Taking Back our Beach

When disaster strikes, a community rises!

In the face of New Zealand's largest pollution disaster, a community unites to save their treasured coast, but divisions grow with the ongoing fight to remove the wreckage and restore the environment.

This is a film about the response by a community to New Zealand's largest environmental disaster, seen through the eyes of that community.

When the MV Rena grounded on Ōtāiti (Astrolabe reef) on 5 October 2011 it wasn’t just the iconic New Zealand coastline and wildlife that were threatened by the ensuing black waves of oil and debris, but also a lifestyle treasured by its residents. The disaster reveals a deep connection to the environment in both local Māori and Pakeha (European descendants) alike.

When floundering bureaucrats initially ignore the local advice and knowledge that could have largely avoided the disaster, and then are painfully slow to clean up the overwhelming mess, the community steps in, taking matters into their own hands. A groundswell of volunteers goes out daily to help save wildlife and clean up the massive field of oil and debris strewn along the coast. The film captures the shock, anger and grief driven into the heart of the local community, but also the humour, purpose and overwhelming positivity when people join together with a common goal.

In the aftermath of the clean-up, a further battle to remove the remains of the wreck ensues, with community unity threatened through the overpowering insurers and ship owners. The mauri (life force) of a national taonga (treasure) Ōtāiti is forever altered, however the power of a simple act of forgiveness shown to the ship’s scapegoated Filipino crew offers a beautiful way forward to growth and recovery.

From a septuagenarian widow chasing an oiled penguin around her living room to a 6-metre long barbecue feeding volunteers for free, to youth impersonating army personnel in order to be allowed onto the beach to clean up oil, the documentary is made up of interviews with 35 local people (iwi, retirees, volunteers, wildlife leaders, marine experts, small business owners and community leaders).

A wealth of never-before-seen stock footage and amazing photos, augmented by re-enactments and CGI graphics brings these stories to life and paints a picture of “a great moment in human history” (the late Brian Rogers, Owner Sun Media / Interviewee).

  • Rosalie Liddle Crawford
    Producer
  • Anton Steel
    Producer
    The Znail Gang
  • Claire Rogers
    Producer
  • Anton Steel
    Writer
    The Znail Gang
  • Rosalie Liddle Crawford
    Writer
    2016 - ‘Just 3 Girls’ short film – Locations Manager; 2019 – ‘Runaway Millionaires’ TV movie – Locations assistant; 2019 – ‘Play Me’ short film – Location Scout/Manager; 2020 – ‘Frankie Jean and the Morning Star’ short film – Location Scout/Location Manager; 2021 – ‘Taiao’ short film – Location Manager; 2021 - ‘Aora’ short film – Writer/Location scout/Location Manager; 2021 - ‘The Book of Vesna’ feature film – Location scout/Location Manager/Actor
  • Anton Steel
    Director
    The Znail Gang
  • Project Type:
    Documentary, Feature
  • Runtime:
    1 hour 27 minutes 15 seconds
  • Completion Date:
    May 1, 2023
  • Production Budget:
    100,845 NZD
  • Country of Origin:
    New Zealand
  • Country of Filming:
    New Zealand
  • Language:
    English, Maori
  • Shooting Format:
    Digital
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • Doc Edge Festival
    Auckland
    New Zealand
    May 28, 2023
    World Premiere
  • Doc Edge Festival
    Wellington
    New Zealand
    June 11, 2023
Director Biography - Anton Steel

Anton has 25+ years of directing and storytelling experience in Drama / Feature Film, Documentary, Commercial and Web Content.
Anton Steel Showreel 2021 - https://vimeo.com/568244998
https://www.imdb.com/name/nm1640451/?ref_=tt_ov_dr

Add Director Biography
Director Statement

I have a heart for the underdog, a desire to call people forward to greatness, and I love finding avenues to express this onscreen.