Facing life in prison, a hood dreams of the violent streets that forged his identity, but cursed his soul.

  • Anthony Edward Curry
    Cheeko & Bill, Muddy Water
  • Anthony Edward Curry
    Movie Night, Under a Blanket of Blue
  • Anthony Edward Curry
    Cenozioc Era, Invention of God, M is for Memoirs
  • James Slendorn
    Key Cast
    "Detective Bronson"
  • Marissa Jade
    Key Cast
    Mob Wives, Celebrity Big Brother, Ex on the Beach
  • Tina Krause
    Key Cast
    Limbo, The Recovered, Catching the Fever, Nikos the Impaler, Animal Room,
  • Anthony Edward Curry
    Key Cast
    100 Acres of Hell, The Irishman
  • J.D. Brown
    Key Cast
    "Mr. Columbo"
    Beneath The Black Veil, The Hoot Owl, Cross Bearer, The Cemetery, Brooklyn Tide, Redrum (TV), Unusual Suspects, Wicked Lake
  • Brandon Howland
    Key Cast
  • Michael Shershenovich
    Key Cast
    "Detective Fulci"
    Good Time, Make them Die Quickly
  • Nick Wolf
    Key Cast
    Secrets on Sorority Row
  • Ava Serene Portman
    Key Cast
    Kansas Bowling's "Cuddly Toys"
  • Fallon Marissa
    Key Cast
    "Lady in the Dream"
    Bloodrunners, Last Call
  • Project Type:
    Experimental, Feature
  • Genres:
    Crime, Thriller
  • Runtime:
    1 hour 36 minutes 14 seconds
  • Completion Date:
    September 25, 2021
  • Country of Origin:
    United States
  • Country of Filming:
    United States
  • Language:
  • Shooting Format:
    Digital, Celluloid
  • Aspect Ratio:
  • Film Color:
    Black & White and Color
  • First-time Filmmaker:
  • Student Project:
Director Biography - Anthony Edward Curry

Anthony Edward Curry is a NYC based Film Director. His films are about the lowest depths of street life.

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Director Statement

I wrote TRAP when I was 17, but I let the film find itself over five years of production. It constantly morphed as the real-life characters evolved before my eyes. The film mirrored real life as I was called as a key witness in a highly publicized murder trial.

The film mimics a drug experience in hopes of pushing past the simple articulations of linear narrative. In TRAP, the narrative is liquid and time is free. I prioritize emotion and mood over plot. The narrative isn’t traditional and the movie moves like poetry — trap poetry. I believe that movies should be, to some extent, undefinable. In this film I show the lowest depths of urban culture — from the inside-out, not the outside-in.