THE STRAIT
Two teenagers are trying to get rich in an unusual way.
Ahmad and Reza are two close friends. They are young, and with different motivations, they are going down the same path. Because of the deep emotional gap between Ahmad and his father, he decides to be independent and leave the house. At the same time, Reza is determined to keep his family together and free them from debts to the landlord. The story starts when they come home from an excavation of ancient graves, and they face the police force and lose their rental drilling equipment in a chase. The young boys meet Hashem Dada (Ahmad’s father) to find a way to free Reza’s ID card. They gave him his ID card in exchange for the drilling equipment. They fail to take back Reza’s ID card, and now they have a debt to Hashem Dada. Hashem wants his son to stay away from this path. Therefore, he tries to convince him to stop because he knows there is no good ending to this. Because his dad pressures him to stop, Ahmad unwillingly and secretly steals from the chest that belongs to his father and takes the only thing that is left of his deceased mother, a necklace. He did that to make some money. They visit Hashem again and, with the help of Kamal, make him rent new equipment and free Reza’s ID card. In the meantime, with the support of Kamal (an old digger and close friend of Hashem), they spend the rest of the money and buy fake equipment and a metal detector. And they experience an adventure. In the end, Ahmad and Reza surrender to the natural events and realize they cannot overcome destiny.
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Meghdad JalaliDirector
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Meghdad JalaliWriter
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Meghdad JalaliProducerProducer & Funder
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Gholamreza JalaliProducerCo-producer
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Babak KarimiKey Cast"Hashem Dada"
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Samad AzarakhshKey Cast"Kamal"
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Sina EbrahimiKey Cast"Ahmad"
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Nikan JafarAghaeiKey Cast"Reza"
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Hadi AghahosseiniKey Cast"Naser"
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Hossein ShabahangKey Cast"Leader of Police"
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Vahid EbrahimiDirector of PhotographyCinematographer, DP
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Mahdi AfroughEditEditor
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Sattar OrakiMusic byComposer , SoundTrack
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Zohreh AliakbariSound DesignerSound Design
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Abtin BarghiSet DesignProduction Design
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Abdollah SafdariMakeup Artist
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Homa BazrafshanPoster Artist
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Farhad RostamiCinematography 1st Assistant1st AD DP
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Morteza GharaguzlooCamra, Light and Electrical DepartmentGaffer
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Edris MahmoudiCamra, Light and Electrical DepartmentLighting technician
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Behrouz DashtaeiCamra, Light and Electrical DepartmentRig Assistant, Dolly grip
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Mohammad MashaeiCamra, Light and Electrical DepartmentRigging best boy
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Mehdi RamezaniCamra, Light and Electrical DepartmentRigging gaffer
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Ali MirkarimiCamra, Light and Electrical DepartmentLighting technician
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Hossein ShabahangCamra, Light and Electrical DepartmentKey Grip
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Hossein AsgariCamra, Light and Electrical DepartmentCamera Setup
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Shahin ShirzadiCamra, Light and Electrical DepartmentSteadicam Operator
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Naresa BehlouliCamra, Light and Electrical DepartmentGrip & Lighting assistant
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Mehdi AlizadehCamra, Light and Electrical DepartmentGrip & Lighting assistant
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Behnam AtaeiCamra, Light and Electrical DepartmentGrip & Lighting assistant
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Alireza AjdadiCamra, Light and Electrical DepartmentGrip & Lighting assistant
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AmirHossein EskandariCamra, Light and Electrical DepartmentGrip & Lighting assistant
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Hamzeh MoghisehCamra, Light and Electrical DepartmentCrane Operator
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Abdollah BeigiDirection DepartmentFirst assistant director
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Mojtaba FirouzabadiDirection DepartmentSecond assistant director
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Abolfazl SahebiDirection DepartmentAdditional second assistant
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Ali AbdolahianDirection DepartmentThird assistant director
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Zeynab KhadiviDirection DepartmentContinuity supervisor
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Marzieh Ata'allahiDirection DepartmentContinuity assistant
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Atoosa FazayeliDirection DepartmentPre-production calendar planning
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Bijan Arab'ameriDirection DepartmentLocation Scout
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Kamran SaharkhizEdit DepartmentColor Grading
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Alireza AkbariEdit DepartmentVFXSupervisor
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Shahrzad AkbariEdit DepartmentVFX Composer
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Navid TabatabaeiEdit Department3D
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Mahmoud YaghoubiEdit DepartmentAnimation
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Majid RoshanzadehEdit DepartmentSimulation
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Mojtaba SaharkhizDCP & MasteringStudio Roashana
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Reza TariverdiSubtitle
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Farrokh FadaeiSound DepartmentSoundmixer
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Niloufar KhodadiSound DepartmentSound Edit Assistant
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Taha ValikhaniSound DepartmentRecord
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Elyas AlimohammadiSound DepartmentRecord
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Mobin JalaliPhotographyBehind the scenes photographer
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Sey'ed Abdollah TaghaviPhotographyBehind the scenes photographer
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Mohsen AmiriArt DepartmentSet dresser
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Ali SadriArt DepartmentSet decor assistant
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Erfan HeydariArt DepartmentProbs
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Masoud AbdollahianArt DepartmentProbs & set assistant
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Erfan HeydariArt DepartmentProbs & set assistant
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Mohammad AmeriArt DepartmentDecor execution ( Pit)
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Arash AghabeikSpecial Effects
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Amir SadeghiProduction DepartmentProduction Manager
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Ehsan MemarianProduction DepartmentInvestor representative
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Bahman SedighProduction DepartmentProcurement Manager
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Mohsen JahanpanahProduction DepartmentLogistics crew
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Saeed MohajerProduction DepartmentLogistics crew
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Hamid NouriProduction DepartmentLogistics crew
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Project Type:Short
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Genres:Drama
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Runtime:29 minutes 59 seconds
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Completion Date:April 20, 2023
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Country of Origin:Iran
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Country of Filming:Iran
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Language:Persian
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Shooting Format:Digital , ARRI RAW , LF mode
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Aspect Ratio:2.39:1
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Digital Cinema Package:Unavailable
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45th Moscow International Film FestivalMoscow
Russian Federation
April 22, 2023
World Premiere -
41st Flickers Rhode Island
United States
Semi-Finalist -
22nd Dhaka International Film FestivalDhaka
Bangladesh
February 22, 2024 -
22nd Rome Independent Film FestivalRome
Italy
November 16, 2023 -
22nd Hafez AwardsTehran
Iran, Islamic Republic of
September 30, 2023
Best -
77th Salerno International Film FestivalSalerno
Italy
December 2, 2023
Official Selection -
27th Zoom Zblizenia International Film FestivalJelenia Gora
Poland
March 8, 2024
Distribution Information
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Large Format studioDistributorCountry: Iran, Islamic Republic of
Meghdad Jalali was born on July 13, 1989 in Shahroud City, Semnan Province, Iran. He graduated with a bachelor's degree in the major of Computer Science and studied directing at the Young Cinematographers҆ Association of Iran. The short film called as Mandali is the director's first experience in filmmaking. Meghdad directed and wrote for his second fiction film titled The Strait.
Sometimes you try a lot and don’t reach your goal. Sometimes you wish a lot and recede from your dreams. There is no guaranteed way for you to make sure you will reach all of your dreams. I remember that, when I didn’t get what I wanted, the elderly, who I believe was more religious, would say to me, “Don’t worry! It was destiny” or “why are you sad? There must be good to this.” A friend introduced me to the law of attraction years ago. I used to repeat a wish many times and finally reach my goal. Surprisingly, it was almost a fast and resultant process. It worked and gave some half results, and then it stopped working.
Anyway, there was always a contradiction in my whole life. I thought that it was possible to reach happiness by wishing, repeating, and thinking about dreams, or our destiny is already determined, and we cannot fight against it, and we should surrender.
Although the script of this film, The Strait, is entirely a multisided story about relationships of friends, family members, and social dilemmas that children and youth face, the framework of this movie is based on the law of attraction that I already mentioned above. This was my motivating question for writing this script.
The subject of The Strait is my main concern. I am concerned that innocent kids lose their innocence to achieve things that are too far away. It destroys family relationships and adds to deprivation, and others can abuse them. It also creates lots of difficulties for children. The Strait is a story about morals, and Ahmad and Reza are the main characters. Their story reminds us of this old saying, “not everything that glitters is not gold.
As we all know, regardless of the country, culture, and minorities, some people only seek deception and fraud (whether in a private way as promises of fast success or in a public way as unbearable political promises) to manipulate innocent people who are hoping to hear about their dreams. Therefore, The Strait is far from repetitive stereotypes and tips. It is a wake-up call for society, especially parents, to keep their children away from these dangers.
Today more than ever, because of the terrible economy, unbelievable inflation, and devaluation of the national currency in Iran, we witness people lose all of their money to fraudsters, liars, and dream sellers in the treasure hunt field to run away from problems and financial pressures. They go so far that, in addition to losing all of their savings, they endanger their own body and life. Unfortunately, even children and teens are not safe from this danger, and there are many situations that put the children of society in danger. From time to time, we hear the sad news that bad things happen to them. Moreover, the history of Iran, the beliefs, old stories about buried treasures, and popular superstitions in the depth of society helped to create this wave of behaviors.
The script of The Strait is about teenagers, and each has their struggles and motives, and comes from different classes and tries to reach happiness. Ahmad’s family has a reasonably normal financial status. With the dream of being independent of his father (Hashem Dada), he starts his adventure. He is a dreamer and full of confidence, but the deep emotional gap between his father and him and losing his mother are the main reasons he starts this adventure. On the other hand, Reza has a bad financial state. He barely manages to keep the roof on the family’s head because of the unpaid rent. His motives are survival and helping his family, and these motives follow him on his path. But his path finds a new direction with the appearance of Kamal. And finally, he hurts them both emotionally and physically in an irredeemable way.
Finally, I want the audience to feel and follow the characters as they watch the film. And I hope that they believe the story and the characters. The main factor that I am looking for is understanding the feelings of the characters by the audience. I want them to bring parts of their personality and life and follow them till the end of the film. Nothing would make me happier than this.