Private Project

THE RWENZORI RAINMAKERS SERIES - 3 x EPISODES

This is a heartfelt story about the Rwenzori Mountains in Uganda told by a group of passionate characters who are determined to protect and transform their community. It's a positive story about restoration and nature conservation, explored by artists. We feature a community in Kasese district, guided by these artists at a bronze sculpture foundry, who have replanted over 200,000 indigenous trees on degraded land. Animal sculptures help create better awareness. Poachers are sensitised about conservation and all aim to live more sustainably with nature.

The last glaciers on the mountains are melting fast. Water is becoming more scarce. Landslides and flash floods have increased so they need to urgently spread the word to bring back the rain and protect their precious water source. The motivation is a belief that they can save the mountains from deforestation and devastating effects of climate change because change is now happening; theirs is the first, successful community-engaged restoration initiative to see an impressive return in biodiversity and community cohesion is stronger than ever.

We hope our screenings will inspire others to help continue reforestation in these mountains and beyond.

PART ONE: THE RWENZORI RAINMAKERS - The Challenges of Change.

Three project leaders introduce their story and community, establishing three integrated ambitions, to create art, restore environments and to be healthy. As artists, they share the importance of culture and what challenges they must overcome as they reinforce traditional totem beliefs and bring about the change needed to protect returning wildlife. We meet the strong village Chairlady supporting the role of women. The wood poacher tells his story of conflict when trespassing on the land. But the benefits of an expanding new forest and local employment, leads to villagers joining an impressive climb up neighbouring hills to plant much-needed trees, in a determined effort to stop future landslides.

PART TWO: RESTORING THE RAINS

This episode opens with a night-time honey harvest when the wild bees are drowsy, establishing a nature services theme that enables viewers to see the benefits of biodiversity and tree planting. Isaac creates a shoebill sculpture using beeswax. A local King shares his own re-wilding goals. The team clear a patch of invasive plants and Winnie promotes growing pesticide free vegetables. Bark is harvested for cough treatments, and a discovery of herbs with aphrodisiac properties provides amusement. Meanwhile, ongoing drought underscores urgent need for water, by animals and humans alike, but a traditional Rainmaking ceremony high in the mountains, promises rain in three days.
The Founders visit the local school, who inspired, return to show off their own sculptures before the anticipated rains finally arrive.

PART 3: BRINGING BACK BIODIVERSITY

Placing the project in proximity to the Rwenzori National Park, this episode establishes the mountains as a hotspot for biodiversity. Planting trees is vital for water catchment and landslide protection. Displaced by the Kilembe floods, Sanyu tells his story and once more the Nyamwamba river threatens to flood Kasese city. At the Founders nature abounds. Isaac casts his Shoebill sculpture and introduces an enthusiastic school child to some of the wildlife. A poacher alert leads to the discovery of a lethal snare. A mugging in the forest presents new security challenges so the Uganda Wildlife Authority visit to help with community sensitisation. Ultimately, village relations have never been better: the wood poacher reforms, women are given firewood, tree species are recommended for landslide survivors, and nature flourishes post-rains.

  • Zuleika Kingdon
    Director
    www.distantobjectproductions.com
  • jacqui Doughty
    Producer
    www.walktallmedia.co.uk
  • Paul Kabango Talking Film Production Services, Kampala
    Production Associates and Crew
    https://talkingfilmproduction.com/production-servicing
  • Andrew Ahuurra
    Music Composer
    https://www.quad-a.com/team/ahuurra-andrew/
  • Zuleika Kingdon
    Editor
  • Justin Dralaze
    Camera
    Reuters
  • Emmanuel Gashumba
    Camera
    Talking Film production Services
  • Jamie Unwin
    Camera
  • Project Type:
    Documentary, Feature
  • Genres:
    Environment, art, Climate, biodiversity, wildlife
  • Runtime:
    2 hours 56 minutes 2 seconds
  • Completion Date:
    January 29, 2025
  • Production Budget:
    120,000 GBP
  • Country of Origin:
    United Kingdom
  • Country of Filming:
    Uganda
  • Language:
    English
  • Shooting Format:
    4k video
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
Director Biography - Zuleika Kingdon

Zuleika is an independent producer/director, who both films and edits. She founded Distant Object Productions Ltd in 2006 with Martin Briggs Watson, going on to win numerous festival awards, including Best of Category Heart Disease for her film Understanding High Blood Pressure (VIDEOMED 2010).
She teamed up with producer Jacqui Doughty of Walk Tall Media Ltd to co-found Films for Change in 2021 to make not just this film but fulfil a desire to do something to help our threatened planet, no matter how small.
Zuleika was born and raised in Uganda, and the country remains close to her heart. She began her career working on documentaries for Oxfam with RSV productions before spending 2 years in China (on Bafta winning River Films series 'Beyond the Clouds' - CH4 1994) Her BBC documentary “To Bring a Smile” (2001) “Isis to the Nile” (British Council) and Rock Music Rock Art were all shot in Uganda. She loves what she does in all aspects of filmmaking and particularly enjoys focus on culture, arts and environment. She has a BA(Hons) in English, Drama, Film & TV. After her early years freelancing, she established her first video production company Distant Object Productions which continues to offer video and streaming services to a wide client base from NGOs to corporates.

Add Director Biography
Director Statement

This film has been incredibly hard work not least because Jacqui and I funded it ourselves with the help of our amazing Kickstarter and Ko-fi crowd funders, to whom we are eternally grateful. All the money we raised is on the screen. Our production budget listed here includes the costs for an online picture grade and audio mix for broadcast, which we have not yet raised, but we are ever hopeful ! We are also looking for Sales and distribution.

Our schedules were very tight (10 days in-country setup, followed by a two week shoot in the dry season and two in the wet season the following year). It demanded careful planning of timetables because being documentary, things can change at any moment! But hard work is also rewarding; I loved climbing all those high mountains, and was in awe of all the returning wildlife. Working with Ugandans and meeting all our incredible participants who shared our excitement, was a delight.

I was born in Uganda so I am often drawn back and this film felt timely. It was something positive I could contribute to, given the state of the world’s environment. The story combined so many of my personal loves: art, nature, conservation and Africa. It was important to me that the storytelling was genuine and so my interview questions were often saved for moments of appropriate action and capturing dialogue allows stories to evolve naturally, which meant Sam, our sound recordist, deserved my appreciation. An important aspect of my editing style was to give space for reflective moments with music. So it was very thrilling to discover Ugandan composer Andrew Ahuurra during post production, whose wonderful themes breathed new life into the film.

Our production planted 1200 trees in the village on our sponsors’ behalf (which I hope compensates for our air miles!). Since beginning their project, the Foundry and their community have (to date) seen bird counts increase from 26 to 222 species. We believe this film could have impact or educational value in future and even follow up stories, so we are working on an impact plan. This story is not just relevant to Africa, but deserves a global audience. We hope you all love it as much as we do.