THE DOODLER
Opposing the queer community, inspectors struggle to find the ethics required to catch a killer who sketches closeted men on cocktail napkins.
-
B. Bill RandalWriterThe Doodler Homocides
-
Project Type:Screenplay
-
Number of Pages:119
-
Country of Origin:United States
-
Language:English
-
First-time Screenwriter:No
-
Student Project:No
-
Austin After Dark Film Festival 2021
Winner - Best Dark Drama Feature Screenplay -
Los Angeles Crime & Horror Film Festival 2021
Finalist - Best Crime Feature Screenplay -
Cannes Screenplay Contest 2017
Winner of the Historical Feature Screenplay Category -
The Spotlight Screenplay Competition 2016
Finalist for the Feature Screenplay Category -
Genre Celebration Festival 2016
Winner of the Feature Screenplay Category -
America's Rainbow Film Festival 2016
Winner of the Feature Screenplay Category -
Filmmakers International Screenwriting Awards 2016
Finalist for the Feature Drama Screenplay Category -
Steam House Entertainment Independent Film Awards 2016
Finalist for the Feature Screenplay Category -
All Genre Screenplay Contest 2016
Winner of the Feature Screenplay Category -
Tea Dance Gay and Lesbian Film Festival 2016
Finalist for the Feature Screenplay Category
B. Bill studied directing and screenwriting at The Academy Of Art University in the Film & Television Production Department. Inspired by all that is taboo, I lean toward tragedian styles, creatively, having an extensive repertoire of the genre film, particularly horror. A seventh-generation Texan, I am mixed-race, LGBTQ+, INTJ, and enjoy historical documentaries and Bach organ concertos.
Based on the true crime, this neo-noir screenplay was purposed for an American exploitation thriller of the late-seventies. George A. Romero's MARTIN and William Friedkin's CRUISING were influential in the creation of this screenplay.
The screenwriter is a mixed-race homosexual male within the LGBTQ+ community of San Francisco.