THE DOG
Director Lam Can-zhao leads a small film crew as they shoot a film about a stray dog in the streets of Guangzhou, leading the viewer into an unpredictable, peculiar and incredible journey. Shot documentary-style while employing characteristics of hybrid cinema, THE DOG’s low-tech, casual style reveals a wealth of stories that reflects both the authenticity and occasional absurdity of the living situations of migrant workers and of those who otherwise live “below the line.” As the debut feature film directed by Lam, THE DOG reads more like a lonely rebel's exploration and revelation to the world.
-
Lam Can-zhaoDirector
-
Lam Can-zhaoWriter
-
Lam Can-zhaoProducer
-
Lai JinghuaCameraman
-
Lai WenhuaSound Design
-
Lam Can-zhaoEditor&Colorrist
-
Christina BaoEnglish Subtitles
-
CAO-CAOKey Cast
-
Project Title (Original Language):狗
-
Project Type:Experimental, Feature, Student
-
Runtime:1 hour 27 minutes 48 seconds
-
Completion Date:December 1, 2015
-
Country of Origin:China
-
Country of Filming:China
-
Language:Chinese
-
Shooting Format:2K
-
Aspect Ratio:16:9
-
Film Color:Black & White
-
First-time Filmmaker:Yes
-
Student Project:Yes - Guangdong Literary & Art Vocational College
-
2016 Salamindanaw Asian Film Festival
Philippines
November 13, 2016
Special Jury Mention -
2016 Peak City International Film FestivalApex
United States
April 2, 2016
Silver Gaddy Award -
2016 Asian American International Film FestivalNew York
United States
July 24, 2016
Emerging Director( Nomination) -
2016 The International Gullah Film FestivalSouth Carolina
United States
July 31, 2016
Best Student Feature -
2016 Los Angeles Asian Pacific Film Festival(Academy Award ® Qualifying)LA
United States
April 23, 2016 -
2016 Down East Flick FestGreenville
United States
June 5, 2016 -
2016 Asia Film Festival BarcelonaBarcelona
Spain
November 5, 2016 -
2016 Silk Road International Film FestivalDublin
Ireland
March 12, 2016
Best Student Film (Nomination) -
2016 South Taiwan Film FestivalTaiwan
November 21, 2016 -
2016 Rivercity Underground Film Festival
United States
November 27, 2016 -
2016 International Human Rights Film Festival — this human worldVienna
Austria
December 2, 2016 -
2016 Baghdad International Film FestivalBaghdad
Iraq
December 3, 2016 -
2016 Delhi International Film FestivalDelhi
India
December 5, 2016 -
2016 Amphibia Youth Film FestivalXia Men
China
December 29, 2016 -
2017 Golden Koala Chinese Film Festival
Australia
February 1, 2017 -
2017 Cameroon International Film Festival
Cameroon
April 25, 2017 -
2017 Cardiff China Film Festival
February 16, 2017 -
2017 Salón Internacional de la LuzBogotá
Colombia
May 11, 2017
Best Cinematography(Length Fiction) -
2017 Panorámica Independent Film Festival
Mexico
July 7, 2017 -
2017 London Migration Film FestivalLondon
United Kingdom
November 30, 2017 -
2017 Africa International Film Festival
Nigeria
October 30, 2017 -
2017 Festival de Cine de BogotáBogotá
October 10, 2017 -
2018 International Labour Film Festival
Argentina -
2018 Dreamanila International Film Festival
Philippines
December 14, 2018
BEST DIRECTOR -
2021 Busan International Animal Film Festival
Korea, Republic of
December 5, 2021 -
2021 Aporia International village film festival
Korea, Republic of
December 22, 2021
Lam Can-zhao, a Chinese filmmaker born in 1994, made his directorial debut at the age of 20 with "THE DOG," a low-budget feature film that brought him into the spotlight. In 2023, he produced, wrote, and edited the short film "A Bright Sunny Day," which was selected for LA CINEF at the 76th Cannes Film Festival. In 2024, his short film "A Summer's End Poem," for which he served as writer, director, producer, and editor, won Best Short Film at the 74th Berlinale Generation Kplus competition.
Working outside, or going back home? Keeping the dog, or selling it? Being a poet, or a drug dealer? To practice Buddhist rules, or start a business? In a money-oriented society, people often get lost in front of money, thus forget their dreams and fail to get inner peace.
THE DOG was inspired by a few news events happened in early 2014, such as “cracking down drug trafficking in LuFeng”, “monk marriage”, etc. Things like this could have been really good materials for “storytelling”, but I didn’t deal with them this way — story is frivolous to me, while sound and picture are the main characters of my film.
I was a nineteen-year-old film student when making THE DOG. My teachers were all teaching how to tell a story, how to set up lights, how to shoot people… Is this the only way to make films? I decide to figure it out by myself.