《Spring of Deer City》

Interpretation of "Spring of Deer City":
The three subjects of this film currently live in Baotou City, Inner Mongolia, which is also called Deer City, which is the geographical background for the occurrence and development of the entire documentary story.
Chun, which means spring, also means youth.
The three Mongolian youths have exerted their youthful sweat on the road of inheriting intangible cultural heritage skills, and it is their persistence and innovation in intangible cultural heritage traditional handicrafts that have injected fresh blood into the development of Baotou's intangible cultural heritage undertakings and radiated spring vitality.
With the inheritance and innovation of "intangible cultural heritage" culture as the main line, this film tells the stories of young Mongolian craftsmen Sulidi, Wuyun Bilige and Sharina. As young individual merchants, they made a living by making ethnic silver ornaments, horse head harps, and Mongolian ornaments. The film will show the process of handicraft or performance of the above-mentioned "intangible cultural heritage" items, and through chat-based interviews, let the subjects combine their own actual experience to tell the inheritance dilemmas and innovative methods of relevant ethnic handicraft "intangible cultural heritage" items.
At the same time, the film will also record the daily life of these Mongolian young intangible cultural heritage craftsmen full of fireworks, present the life insights and attitudes of several protagonists in the form of story plots combined with interview content, and show the touching family, friendship and love between Mongolians and Mongolians, as well as between Mongolians and Han Chinese.