Slamdance Film Festival

By entering Slamdance Film Festival, you agree to follow its rules and guidelines.

ELIGIBILITY REQUIREMENTS

• We consider films in any language, from anywhere in the world. If your film is not in English, make sure it has English subtitles where necessary.
• We consider work in progress. Please include a title card describing what is unfinished at the beginning of the submission screener.
• We consider films regardless of their premiere status. Even if your film has already premiered at another festival, whether it screened at a physical venue or online, it’s still eligible for consideration.
• We consider films regardless of their completion date. You can submit any film no matter when it was made.
• Features previously or currently being released in the US by a third party distributor are not eligible for consideration.
• Features previously self-distributed by the filmmakers online are not eligible for consideration in Feature categories.
• Only directors' debut features with a budget under 1 million USD are accepted to the Narrative and Documentary First Feature competition. If your work is not your first feature film, submit it to our Breakouts competition.
• Only independently produced episodes completed in 2019 or later are accepted to the Episodes category.
• There's no additional eligibility criteria for short films. All shorts are eligible!

SUBMISSION GUIDELINES

• Entrants can update their screener by uploading a new video file provided your original link url does not change. The link must stay the same after you have submitted your entry. If it is replaced programmers will lose access to your screener and it may not be watched in time.
• All screeners must be uploaded by the appropriate deadline.
• Deadlines close at 11:59 PM PST.
• We will contact entrants if there's anything wrong with the submission. If this occurs, you will need to fix the submission issue by the requested deadline, otherwise we can't guarantee that your film will be watched in time.
• We don't provide refunds for festival entries.

HOW WE PROGRAM

• Each film will be watched by at least two different programmers. If you are using Vimeo stats, you can track the watches most of the time. However, we've had many cases in which watches weren't recorded correctly, including for some of the accepted films. Please note that they are not always reliable.
• If a film gets two or more recommendations after the first round of watches, it will be watched by more programmers and discussed at deliberations sessions.
• Deliberating programmers determine a festival selection through discussion and voting. • Each participating programmer has an equal vote and no festival selections are made outside of this process.
• Our programmers are not required to read submission cover letters and other supporting materials, but we encourage you to submit them in case they want to learn more about you and your work.
• We generally don't share programming feedback with entrants.
• The Slamdance programmers' decisions are final.

IF ACCEPTED

• Accepted filmmakers will be notified via email, phone or text. Filmmakers must confirm their participation by the given deadline, otherwise they might lose their spot in the line-up. (Heads up: we will be reaching out to some of you over Thanksgiving, but you can't use the holidays as an excuse to delay your confirmation).
• Accepted filmmakers must be the authors of their submitted work and be ready to sign an agreement stating that they own all rights to their film and its components ahead of screening at Slamdance.
• If accepted, entrants are responsible for delivering their festival exhibition copy, trailer, screener link, press stills and press-kit on time.
• If accepted, filmmakers are expected to attend the festival.
• If accepted to both Sundance and Slamdance, filmmakers can not screen at both. We notify filmmakers around the same time, so you will have a chance to make an informed decision and commit to one festival.
• We don't cover filmmakers' travel expenses.
• We don't cover shipping expenses for screening copies and other materials.
• We don't provide screening fees.