Strike Paper
Bruce Campbell is hitting his stride. He’s a reporter at The Times Leader, his hometown paper. That’s where he met his wife, a fellow reporter. They have a little girl who is currently obsessed with Annie, and another one on the way. He finally scraped enough together to build that house. He seems to be pretty good at delivering all that is asked of him–by his job, by his friends, and most importantly by his family.
Enter Cap Cities, a monster publishing corporation. They just bought The Times Leader and they’re hoping to flip this hometown rag into a moneymaker, but to do that they have to dismantle the powerful unions that are the bedrock of this town.
That leaves Bruce with a dilemma-–go on strike with the rest of the paper, or become a scab to provide for his family.
A scab isn’t a pretty sight any way you look at it. In Wilkes- Barre, it’s no different. This was a proud coal mining town, you can trace that back to Bruce’s great-grandfather, and the union has always been its heart. So when Bruce decides to cross the picket line and work for Cap Cities and the new Times Leader, his friends, his father, hell, the whole town turns against him.
Feeling like the red-headed stepchild in all of this, Bruce’s daughter Tracy becomes hell-bent on getting the lead role in a local production of Annie. His wife Gloria is left to deal with her new pregnancy and the absence of her husband to his demanding job, one she knows well having been a hotshot reporter in her day.
Bruce is oblivious. He loses himself in a bottle of booze and a political scandal unfolding before him: Congressman “Dapper” Dan Flood has been accused of taking bribes as head of the appropriations committee, and Bruce discovers he’s in the pocket of local mobsters, bringing lucrative jobs to his hometown for kickbacks. When Bruce thinks he’s broken the story wide open, it turns out the town can care less–they only care that the congressman has been taking care of them.
That leaves Bruce with a realization—taking care of your own is all that’s important. But when he turns around to be there for his family, he realizes Tracy got the part of Annie and didn’t tell him, his father has disowned him, and his wife is going into labor 5 weeks early.
Bruce sacrifices his dignity for his family, and what does he get in return? A demotion from the paper, a drinking problem, and divorce papers.
How it ends: Bruce quits his job, holding on to a few shreds of dignity, and he cashes in his pension to pay for Tracy’s braces. He goes back to bartending to spend more time with Tracy during the days. She gets the role of Annie, and the ending image is her singing the incredibly apt Maybe, the spotlight bouncing off her new braces during a montage of Bruce in his new apartment, bathing his baby boy.
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Jason GallagherWriter
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Project Type:Screenplay
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Genres:drama, historical
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Number of Pages:108
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Country of Origin:United States
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Language:English
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First-time Screenwriter:Yes
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Student Project:No
Jason Gallagher has an unusually diverse credit list with nearly 20 years of experience in film and television. He is a graduate from the film production program at Boston University.
Gallagher has directed short films for Comedy Central, Funny or Die, and Abso Lutely productions. He has also edited several comedy specials including Ron Funches' Giggle Fit for director Bobcat Goldthwait, as well as countless shows for MTV, Netflix, FX, E!, Nickelodeon, and Amazon.
Gallagher began his career when he moved to New York City and landed a producing position at MTV, where he made series like True Life, Diary, The Video Music Awards, and created the interview show All Eyes On for the news and documentary department. He both directed and edited the ratings record-breaking series, which profiled the likes of Jay-Z, 50 Cent, Britney Spears, and Kanye West at the height of their popularity.
After his time at MTV, Gallagher moved into the freelance editing world, serving as editor on shows for VH1, Bravo, Fuse, FOX, The Weinstein Company, CBS, Comedy Central, and many others. He worked on Emmy-nominated programming, and won a NLGJA award for his work on The Advocate News Magazine. Gallagher joined director John Hyams as an editor on the feature film Universal Soldier: Regeneration and the IFC feature documentary Rank, which was featured at both the SXSW and Full Frame film festivals. He also produced and edited the short film Glock that premiered at the New York Film Festival and won the audience award at GenArt Chicago.
Gallagher has 15 years of experience writing, recording, and producing music, and was the composer and music supervisor for all five seasons of the Syfy series Z Nation.
Now based in Los Angeles, Gallagher is a development consultant, director, producer, and editor for several successful production companies, and continues to direct and produce both scripted and unscripted works.
This is my dad’s story. He was a reporter at the Times Leader in 1978 when it was purchased by Cap Cities, a publishing corporation hellbent on breaking down the unions to make a profit. The reporters went on strike, and so did my dad. But he had a family and a new house, and couldn’t live on strike pay. He crossed the line, got labeled a scab, and became an outcast.
At work he was a hero. He was their only hometown guy, and he helped the new company navigate a new territory when nobody would even consider it. They pushed him to his limits, he worked day and night, drinking like a fish the whole way, and in a couple years the paper was successful. My mom divorced him during those years, she had no interest in being married to a drunk who was never home. And when the paper finally got on its feet, they didn’t need my dad anymore, and they offered him a demotion. He quit on the spot.
He crossed the line for his family and lost everything. This is a fictionalized version of that story.