Sew
A seamstress recalls how she moved from the Philippines to the UK in the 1980’s as a mail-order bride, only to wind up running her own mail-order bride agency.
A documentary funded by The Talkies Commission and The Other Brother Film Fund.
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Xenia GlenDirector and ProducerPorcelain
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Daniel BayleCo-Director and EditorI Only Have Eyes for You, Porcelain
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Lorena PagesDirector of PhotographyNed & Me, Winter Coat, I My Hero, Melodie Saviour, Amani, Personality
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Sarah Laita1st ADGuns Akimbo, The Hippopotamus
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Lily BaldwinAssistant Producer
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Becca LiversidgeProduction DesignerBloody Funny
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Ana KrkljusGafferSupernova, The Birth of Valerie Venus, No Love Hotel
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Nunette LonoyContributor
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Project Type:Documentary, Short
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Runtime:10 minutes 52 seconds
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Completion Date:November 1, 2020
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Production Budget:1,000 GBP
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Country of Origin:United Kingdom
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Country of Filming:United Kingdom
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Language:English
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Shooting Format:Digital
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Aspect Ratio:2:3:5
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:No
Xenia works at Misfits Entertainment across development and production. In 2020 Xenia made her directorial debut with 'Sew', a documentary about a mail-order bride. 'Sew' won the Talkies Commission and the Other Brother Fund. In 2018 Xenia produced 'Porcelain', an experimental short that explores skin lightening. 'Porcelain' won the Last Word Film Fund and was featured at the Roundhouse Festival. Before this Xenia worked at Shooting People on film commissions for Puma’s Films4Peace and Channel 4’s Random Acts. During this time Xenia founded New Shoots, Shooting People’s mentorship programme and fund.
More recently Xenia has been selected for BFI Network x BAFTA Crew, the Widening the Lens scheme by Encounters Film Festival, the John Brabourne Award and Ex-Animo Fund. Her upcoming film 'Backbone' was selected for the BBC's New Creative's scheme and will be released in 2021. Xenia is also currently participating in BFI NETWORK's New Voices talent development scheme.
As a Filipino-British filmmaker my work is often informed by my experiences as a second generation immigrant. This is especially apparent in ‘Sew’ which is a portrait of my mother Nunette Lonoy. ’Sew’ is a documentary about how she was a mail-order bride in the 1980’s. I was very fortunate to create the film alongside Daniel Bayle, my co-director and editor, who provided an objective take on her story which is so close to my heart.