Samvega-Pasada
A contemporary adaptation of the epic of Manimekalai, Nirrti, a former sex worker lives in a working-class chawl in Mumbai. In her day-to-day life at the chawl, she encounters the familiar signs of old age, birth and death around her as she organizes against the real estate mafia and the landlords. Her spiritual awakening is one day put to the test when a group of orthodox seers come to the chawl.
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Elroy PintoDirectorKaifiyat
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Chithalai ChathanarWriter
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Elroy PintoWriter
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Hazel PintoProducer
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Sharmila RautProducer
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Elroy PintoProducer
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Sanjukta WaghKey Cast"Nirrti"
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Sadiya SiddiquiKey Cast"Ambapalli"
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Renuka DhawaleKey Cast"Amballika"
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Dhammrakshit RandiveKey Cast"Gabriel"
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Siddharth BaviskarKey Cast"Viraj"
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Ashok PandeyKey Cast"Ascetics"
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Rounak ModhaCinematographer
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Swabha PalDialogues
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Tanuj RDialogues
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Dhammrakshit RandiveDialogues
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Elroy PintoDialogues
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Chithalai ChathanarOriginal Story
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PramodExecutive Producer
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Naveen LoharaProduction Designer
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Swabha PalEditor
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Sanjukta WaghChoreographer
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Shwetant KumarMusic
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Marvin D'souzaCostume Designer
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Elton PintoStills & Assistant Camera
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Satya NarayanSync Sound
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Raj JadhavSound designer
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Eric SchoenDI & Colourist
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Neela BhagwatComposer
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Project Type:Short
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Runtime:30 minutes
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Completion Date:January 1, 2025
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Production Budget:5,000 USD
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Country of Origin:India
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Country of Filming:India
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Language:Hindi, Marathi
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
Elroy Pinto, is a Mumbai-born filmmaker, researcher, and writer. South Asian pre-modern art forms, like Indo-Persian miniatures, medieval architecture, and Gwalior Khayal music inspire his work. He holds a Master's in Global Cinemas from SOAS, University of London. His debut film, Kaifiyat (2019), is an experimental documentary blending fictionalized performances on 16th-century Deccan India’s cultural roots with footage of Ustad Nizamuddin Khan's family amid communal challenges. Kaifiyat won the Cinema Experimenta Award at the 2021 Signs Film Festival. Elroy has also published on topics in culture, cinema, and history. He is working on a documentary on sacred art in Mumbai and a docu-fiction film based on a contemporary adaptation of a modern play based on the life of the Buddha.
I envisaged a contemporary adaptation of the Manimekhalai, an epic over a thousand years old, that is in its origin, surprisingly rational at heart. The interconnectedness of working-class lives and their struggles with re-development and day-to-day challenges can be explored best through the epic idiom of cinema.
The film is an exploration of the universal themes of exploitation, resistance, and rebellion against oppressive systems. Inspired by the epic of Manimekalai, the film follows Nirrti, a former sex worker turned teacher, on her journey towards liberation amidst the challenges of casteism and capitalism in modern-day India. Set in the working-class neighbourhood of Koliwadi at Charni Road, the film foregrounds sex workers as knowledge bearers of society, imagining what a process of shared knowledge through song and dance might look like. The film's engagement with the path-breaking philosophies of the sub-continent is realised through the choreography and compositions by Sanjukta Wagh and Neela Bhagwat, respectively. The film's diverse cast and crew, including members of the Ambedkarite activist group - Yalgaar Sanskrutik Manch, highlight the importance of building a radical coalition for meaningful change. Nirrti's journey hopefully inspires critical examination of the philosophies that undergird oppressive systems in India and the world. As the world heads towards greater uncertainty I also hope that this film will resonate with a lot of younger audiences around the world.