ROT
An individual known to the universe as ROT dissects and scavenges a dead world.
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Nathan AmaralDirector
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Nathan AmaralWriter
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Nathan AmaralProducer
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Will Myung, Keegan Douglass, Nathan AmaralKey Cast"ROT"
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GirlKey Cast"Abby Sampson"
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Project Type:Experimental, Short, Student
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Runtime:7 minutes 6 seconds
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Completion Date:January 2, 2019
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Production Budget:0 USD
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Country of Origin:United States
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Country of Filming:United States
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Shooting Format:Digital
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Film Color:Black & White and Color
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First-time Filmmaker:Yes
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Student Project:Yes
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Online New England Film FestivalBoston, MA
United States
August 28, 2019
Jury First Prize - Experimental Film -
End of Days Film FestivalOrlando, FL
United States
May 4, 2019
Official Selection -
Shorts@Fringe Film FestivalAzores
Portugal
May 31, 2019
Official Selection -
LA Underground Film ForumLos Angeles, CA
United States
August 10, 2019
Official Selection -
CORE International Film FestivalBoston, MA
United States
March 12, 2019
Official Selection -
Oregon Scream Week Horror Film FestivalWilsonville, OR
United States
December 7, 2019
Official Selection -
First Time Filmmakers SessionLondon, England
United Kingdom
May 26, 2019
Official Selection
Nathan Amaral is a film student at Wheaton College Massachusetts where he is busy creating short films and working on the school's video production team. His first two short feature films have been selected for screening at multiple film festivals.
"ROT" was created in autumn 2018 and inspired by my fascination with post-apocalyptic fiction and surrealism. I was also influenced by the 1984 film "Threads;" its depiction and portrayal of the end of the world as a result of a nuclear holocaust was so vividly real and disturbing that it remained cemented in my mind for some time. This project is one of my first films and was important to me as it would determine what kind of filmmaker I wanted to become and whether I had what it takes to be a creator.
The first cut of the film was mostly shot and edited in less than a day and surprisingly came together as smoothly as I had hoped, although it was just as stressful as any shoot could be. The original cut lacked a true ending, which was added later to make the film more succinct and complete.
To create a post-apocalyptic world with no budget, the interior scenes were shot in the dungeon-like basement of my 120-year-old house, while effects were added to the exterior scenes to create surreal imagery. This was one of my earlier experiences editing a film and I had to learn multiple yet somewhat basic techniques within a very short time span. Now, whenever I am stuck on ideas or have doubts about a project, I reflect on this project as proof that I can learn new things on the fly and create something visually interesting regardless of time, experience, or budget.