Experiencing Interruptions?

Rebecca's Grave

Some films are made. Others are unearthed.

Rebecca’s Grave™ is not a documentary. It’s not a mockumentary.
It’s a fictional horror film presented in the format of a mockumentary gone wrong—a cursed production that spirals out of control until even the footage can’t be trusted.

The story follows two fictional YouTubers investigating a local legend: Rebecca Lutz, a name whispered in folklore for decades. As they attempt to tell her story, the narrative begins to fracture.
Footage goes missing. Timelines collapse.
And an unsettling presence begins editing the film alongside them.

By the time the final cut is assembled, the story no longer belongs to its creators.
It contains contradictions. Glitches. Moments they can’t explain—let alone remember filming.
What remains is a fractured artifact of a world that may not want to be seen.

Rebecca’s Grave™ isn’t “found footage.”
It’s footage that found its way back.

  • Garett M Pringle
    Director
  • Garett M Pringle
    Writer
  • Medhat Hanbali
    Composer
    Mai Departe, Queen Rising, We Are Data, Si on S'aimait Encore
  • Julia Innes
    Sound Editor / Recordist
    L'Heure du the, Dead Dicks, Below Her Mouth
  • Richard Zeman
    Key Cast
    "Det. Reginald Walker"
    Day After Tomorrow, Brick Mansions, To Catch a Killer, Upside Down
  • Project Type:
    Feature
  • Runtime:
    1 hour 30 minutes
  • Completion Date:
    January 1, 2025
  • Production Budget:
    60,000 CAD
  • Country of Origin:
    Canada
  • Country of Filming:
    Canada
  • Language:
    English
  • Shooting Format:
    Digital
  • Aspect Ratio:
    16:9
  • Film Color:
    Black & White and Color
  • First-time Filmmaker:
    Yes
  • Student Project:
    No
  • Capitol Theater
    Moncton
    Canada
    October 24, 2014
    Vision Test Screening (Completely Refilmed)
Distribution Information
  • Garett Pringle
    Country: Canada
Director Biography - Garett M Pringle

I don’t make films to entertain.
I make them to disturb.
To haunt.
To leave fingerprints on the part of your brain that tries to forget.

My work is not about clean arcs or polished meaning. I’m interested in the unknown, in the liminal spaces where myth, trauma, and silence overlap. I want my films to feel like something you weren’t supposed to see—something you discovered by accident and now can’t unsee.

Rebecca’s Grave™ is a psychological allegory of systems of silence. It was made not as a statement, but as an artifact. It exists without apology, without permission, and without the need to explain itself.

It’s inspired by myth, memory, and fear—not by any specific individuals.
It doesn’t offer answers.
It offers atmosphere.
Discomfort.
Contagion.

This film is a ritual. A message in the static.
I didn’t create it to be understood.
I created it because it wouldn’t leave me alone.

If it stays with you, unsettles you, or makes you question what’s real—
Then I’ve done my job.

Add Director Biography
Director Statement

I don’t make films to entertain.
I make them to disturb.
To haunt.
To leave fingerprints on the part of your brain that tries to forget.

My work is not about clean arcs or polished meaning. I’m interested in the unknown, in the liminal spaces where myth, trauma, and silence overlap. I want my films to feel like something you weren’t supposed to see—something you discovered by accident and now can’t unsee.

Rebecca’s Grave™ is a psychological allegory of systems of silence. It was made not as a statement, but as an artifact. It exists without apology, without permission, and without the need to explain itself.

It’s inspired by myth, memory, and fear—not by any specific individuals.
It doesn’t offer answers.
It offers atmosphere.
Discomfort.
Contagion.

This film is a ritual. A message in the static.
I didn’t create it to be understood.
I created it because it wouldn’t leave me alone.

If it stays with you, unsettles you, or makes you question what’s real—
Then I’ve done my job.