Raised Up West Side
Chicago’s West Side epitomizes the violent, struggling city we see daily in the media. RAISED UP WEST SIDE peels back the layers, exposing the deep-seated segregation, food insecurity, and mass incarceration that continue to shape these predominantly Black neighborhoods. Following the harrowing, yet frequently inspiring plight of ex-offenders, social activists, and entrepreneurs working on the West Side, we witness the fierce tenacity required to change the narrative — and change lives.
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Brett A. SchwartzDirectorInsatiable: The Homaro Cantu Story
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Brett A. SchwartzProducerInsatiable: The Homaro Cantu Story
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Darius D. JonesKey Cast"Himself"
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Reynaldo D. EngramKey Cast"Himself"
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Liz AbunawKey Cast"Herself"
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Wayne DetmerKey Cast"Himself"
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Robin Whaley SmithKey Cast"Herself"
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Pascal SabinoKey Cast"Himself"
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Project Type:Documentary
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Runtime:1 hour 26 minutes 31 seconds
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Completion Date:January 7, 2022
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Country of Origin:United States
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Country of Filming:United States
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Language:English
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Shooting Format:Digital
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Sarasota Film FestivalSarasota
United States
April 2, 2022
World Premiere
Official Selection -
Julien Dubuque International Film FestivalDubuque
United States
April 20, 2022
Iowa Premiere
Best Use of Music -
Lift-Off Global Network Online
April 4, 2022 -
Katra Film SeriesNew York
United States
April 22, 2022 -
WorldFest-Houston International Film FestivalHouston
United States
April 23, 2022
Gold Award -
Hamilton Black Film FestivalHamilton
Canada
May 28, 2022
Best Director -Feature Documentary -
Piermont Film FestivalPiermont
United States
June 11, 2022
Best Feature Documentary -
The Telly AwardsNew York
United States
May 25, 2022
Bronze Telly Award -
Indy Film FestIndianapolis
June 19, 2022
Indiana
Official Selection -
New Hope Film FestivalNew Hope
United States
July 24, 2022
Pennsylvania
Official Selection -
Filmocracy FestLos Angeles
United States
July 14, 2022
Best of Fest Screening -
San Antonio Film FestivalSan Antonio
United States
August 3, 2022
Texas
Official Selection -
Social Justice Film FestivalSeattle
United States
September 30, 2022
Seattle
Official Selection -
International Black Film FestivalNashville
United States
October 2, 2022
Tennessee
Official Selection -
Gary International Black Film FestivalGary
United States
Gary
Official Selection -
Twin Cities Film FestivalSt. Louis Park
United States
October 22, 2022
Minnesota
Official Selection -
LA Black Film FestivalLos Angeles
United States
Los Angeles
Official Selection -
St. Louis International Film FestivalSt. Louis
United States
Missouri
Official Selection -
Baltimore International Black Film FestivalBaltimore
United States
October 7, 2022
Maryland
Audience Award - Feature Documentary -
Halifax Black Film FestivalHalifax
Canada
February 26, 2023
Official Selection -
Wayfarer Theaters at Renaissance PlaceHighland Park
United States
February 26, 2023 -
Hudson International Film FestivalNew YORK
United States
April 14, 2023
Best Documentary -
Chicago/Midwest Chapter of Television Arts and SciencesChicago
United States
November 11, 2023
Emmy Award
Distribution Information
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Freestyle Digital MediaDistributorCountry: United StatesRights: All Rights
Brett A. Schwartz is an Emmy®-winning director/producer based in the Chicago area. Schwartz’s feature documentary, INSATIABLE: THE HOMARO CANTU STORY premiered at SXSW in 2016 and screened in dozens of film festivals, both nationally and internationally, including The Seattle Int’l Film Festival, Napa Valley Film Festival, The Chicago Int’l Film Festival, Palm Springs Int’l Film Festival, and several others. The film is distributed by Virgil Films and has streamed on Hulu, Amazon, Apple TV, and additional services. A short film titled MÁS QUE LA PLAY: PUERTO VALLARTA was nominated for a Regional Emmy Award in 2018. Schwartz’s feature-length documentary, MASHED MEDIA (2010) aired on PBS and is distributed by Films for the Humanities & Sciences. A short film entitled SHIFTING TRADITIONS (2000) aired on PBS and was distributed by The University of California Center for Media and Independent Learning. In addition to his work as an independent director/producer, Schwartz produced documentaries that aired on several networks, including Bravo, MSNBC, HGTV, Court TV, CBS, and PBS. Schwartz received a Master’s in Documentary Film and Video Production from Stanford University in 1999 and lives in Highland Park, Illinois with his wife and their two children.
In 2018 I learned about Professor Jennifer Lackey’s philosophy class at Stateville Correctional Center outside Chicago. Lackey pivoted from her standing Northwestern University philosophy courses to teaching inmates and ultimately developing Northwestern’s Prison Education Program. I visited Professor Lackey’s classes twice. I had never been to a prison before, much less a maximum security state penitentiary. In one class, Lackey focused on the existence of evil in the world — with a group of students that were technically serving life sentences or even on death row. Here I was shaking hands, conversing casually, and even laughing with convicted murderers and rapists as we discussed the weightiest issues of the human condition. The bottom line is that I saw common humanity in the eyes of most of the men I met at Stateville.
Later that year I visited the Farm on Ogden, a brand-new urban farm and market in the North Lawndale neighborhood on Chicago’s West Side. Under that building’s rehabbed roof rose the headquarters of the Chicago Botanic Garden’s Windy City Harvest Program. I discovered Windy City’ Harvest’s Corps program, a 13-week transitional jobs program that trains a cohort of mostly ex-offenders in urban agriculture. A state of the art aquaponics-based indoor farm that yields loads of fresh produce in the middle of a well-known food desert also rose under the Farm on Ogden’s roof.
Several miles away in another West Side neighborhood, I met Liz Abunaw, a Chicago entrepreneur who is striving to build a Black-owned grocery store where none exists — in the Austin neighborhood. While filming near the Farm on Ogden, I soon met students from My Block My Hood My City, taking tourists through what often is regarded as a blighted ghetto. Social activist Jahmal Cole who founded the group flipped the script: area youth engaged those outside the neighborhood to showcase their neighborhood’s culture and history in a pride-filled, affirmative way, becoming West Side ambassadors along the way.
Ultimately, the threads of RAISED UP WEST SIDE came together when I met Darius Jones. Darius’ journey fully encapsulates the harrowing plight of Black men growing up on Chicago’s West Side. He was raised in the East Garfield Park neighborhood, and though his single mom did her very best, she could not save him from the “street life.” Darius joined a gang at the age of 13, owned his first gun at 15, and by 19 he had been convicted of aggravated carjacking and sent to Cook County Jail’s maximum security facility. While serving his sentence at Cook County, he found out about a progressive jail program that allowed him to learn farming skills and enabled inmates to spend time outside and get highly coveted fresh air. Coming from solitary confinement, this program was a godsend to Darius. Once his public defender uncovered holes in his case that led to an early release due to a guilty plea, Darius entered one of the first Windy City Harvest Corps’ cohort groups. The program altered the course of his life, and gave him even more than a second chance.
My initial questions about redemption and second chances came together in these places and within all these stories on Chicago’s West Side. From formerly incarcerated individuals to reclaiming land and providing sustenance to a community that desperately needs it, there were seeds of hope growing in The Farm on Ogden and within these West Side neighborhoods. Just like the humanity I saw in the eyes of Statesville’s inmates all those years earlier, I committed myself to tell a story in RAISED UP WEST SIDE that humanizes people society conveniently labels as “felons” or “offenders” while shutting the door on them. I was convinced that an audience would find empathy for these individuals -- and give them a second chance.