RAT
Trapped in the house by her agoraphobia, Carol endures a toxic and suffocating marriage. But when a rat invades her home, she is forced to face up to her situation and deal with the vermin herself. A dark comedy about fighting back.
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Sarah GordonDirector
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Sarah GordonWriter
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Siobhán BarbourProducer
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Abigail McGibbonKey Cast"Carol"
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Dan GordonKey Cast"Tommy"
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Terence KeeleyKey Cast"Martin"
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George BarnesCinematographer
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Jonny DelaneyMusic Composer
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Clare MarquessSound Design
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Edna WaltersEditor
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Project Type:Short
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Genres:Revenge, Dark Comedy
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Runtime:16 minutes 47 seconds
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Completion Date:October 18, 2021
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Production Budget:2,250 GBP
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Country of Origin:Ireland
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Country of Filming:Ireland
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Language:English
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Shooting Format:4K
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:No
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Belfast Film FestivalBelfast
United Kingdom
November 6, 2021
Premiere
Official Competition Selection -
Phlegrean Film FestivalNapoli
Italy
November 13, 2021
Nominated for Best Screenplay and Best Actress -
EdiPlay International Film FestivalEvry
France
November 6, 2021
Official Selection -
Newcastle International Short Film FestivalNewcastle
Australia
December 10, 2021
Official Selection -
North East International Film FestivalNewcastle
United Kingdom
November 21, 2021
Official Selection -
Capricorn Film FestivalQueensland
Australia
January 16, 2022
Australian Premiere
Best Short Film Director -
Mayo International Film FestivalMayo
Ireland
February 26, 2022
Official Selection -
Spokane International Film FestivalWashington
United States
February 5, 2022
Official Selection -
Catalyst Film FestivalLimerick
Ireland
April 2, 2022
Official Selection -
Fastnet Film FestivalSchull
Ireland
May 25, 2022
Official Selection -
Capital Irish Film FestivalWashington
United States
March 5, 2022
Official Selection
Sarah is a Belfast based writer and director. She spent last year developing her first feature script (‘POKES’) with Northern Ireland Screen’s ‘New Writer Focus’. She has just been selected for BBC network’s ‘Drama Room’ development scheme 2022.
During lockdown she was commissioned to write and co-direct one of six short comedy films for a project called ‘Splendid Isolation’ (BBC4/BBC NI - nominated for the Royal Television Society NI Best Drama Award; and nominated for a Celtic Media Award).
Other shorts include ‘Shopped’ (dir. Jon Kesselman, produced by BBC Writersroom set for broadcast on BBC3 next year) and ‘Surprise’ (co-directed with her dad, Dan Gordon and produced by Brassneck).
‘RAT’ is her first solo directing credit.
During lockdown there was a rat problem where we live in North Belfast. Every house on our street had rats. My husband and I could hear them scratching in the walls. It sounded like they were moving furniture. Pest control couldn't help because they weren't making house calls during COVID, so we laid heavy duty traps. We caught four but there was another that got caught and escaped, twice - too big for the trap. We would hear it under the floor. We could hear snatches of domestic arguments filtering through open windows and it made me wonder about breaking points for unhappily trapped couples. I started thinking of a story about a woman who was trapped in a bad situation made worse by rats.
My influences when writing RAT include Roald Dahl, Edward Gorey, Hilaire Belloc's 'Cautionary Tales' - stories in which justice is swift but tragically indiscriminate, with no convenient exceptions for the protagonist. Carol's revenge sets her free, but at a cost. I love desperate characters who make mistakes and misunderstand things, and I love the line between comedy and tragedy. The universe lets Carol off the hook but she doesn't get away scot-free. Another influence is the British tv show 'Inside No. 9' - darkly comic with good twists and satisfying stories, which explores heightened worlds populated by grotesque characters.
I wanted RAT to show Carol's claustrophobic world - a heightened, hyper-aware state in which anxiety crests and falls like a wave. The wide-angle lenses give a distorted, slightly grotesque feel. All the men in the film wear hi-visibility clothing, where Carol mostly wears grey, doing her best not to be noticed, because she doesn't see herself as the main character.
In terms of score I was listening to the soundtracks of anxiety-driven films - Ariel Marx's Shiva Baby and Jon Brion's Punch-Drunk Love. I wanted Carol's experience to feel like the low-grade panic of a to-do list you're trying not to forget - fresh cortisol rising every time you remember another thing you're supposed to have done.
P.s. We caught the big rat in the end. Pictures available on request.