RANDOM THOUGHTS OF A TRAVELLER
An autoethnography where the director asks her self how she is? And where is she going? In this introspection she is paying homage to cinema and accessing thoughts she has written throughout the trips she has made.
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Marce D'AgostinoDirectorCARTA A TIO ANTONIO
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Marce D'AgostinoWriter
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THE HIGH PRIESTESS FILMSProducerCIRCULO PER TERRE
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ALONSO ALAMÁNMUSIC
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Project Title (Original Language):PENSAMIENTOS ALEATORIOS DE UN VIAJERO
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Project Type:Documentary, Student
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Runtime:7 minutes 6 seconds
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Production Budget:150,000 MXN
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Country of Origin:Mexico
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Country of Filming:Germany, Mexico
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Language:English, Spanish
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:Yes - BENEMERITA UNIVERSIDAD AUTÓNOMA DE PUEBLA
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VAHO Caracol film festival 2020PUEBLA
Mexico -
ELIPSIS: Encuentro Internacional de Artes y Ciencias Cinematográficas de HidalgoHIDALGO
Mexico
May 29, 2021 -
CLOSE UP: 1ra Muestra de Cortometrajes Universitarios de la UDLAPPUEBLA
Mexico
December 8, 2020
Wolfsburg, Germany, 1997. Film student since 2016 at the Escuela de Artes Plásticas y Audiovisuales BUAP in Puebla, México.
During her career she has worked from scriptwriting, photography, directing and audiovisual montage. She has directed fiction and documentary short films. She has also carried out various experimental audiovisual projects.
23062019 [22:10]
Since I was little I have had the feeling of not belonging, it all begins with my parents; both foreigners (Italian and Mexican). Being born in Germany was not enough to obtain nationality and that is where a difference (from abroad) is made within me. Later when I came to live in Mexico, I continued that feeling of helplessness and estrangement. Well, now I was neither from Germany nor from Italy, but I didn't feel from here either. Who I am? In the desperation of the personal search to know where I belong, who I am, and where I am going, if I did not feel part of anything, the answers to those questions were that longing to belong. In that journey of questions I have found myself alone and I have experienced emptiness and detachment; recognizing that we live, but we also die, and that time, in constant motion, changes everything. In this discovery of change, I have stopped to reflect with nostalgia on the past time and I have discovered what has already died, the past that no longer exists and what will never be the same, as Emil Cioran says: “what has already dead inside of me ”.Apparently, this being a very personal search, it becomes a universal issue, since I am neither the first nor the last person to ask this question. Time / nostalgia takes us out of our land - makes us foreigners, that's why I consider this feeling of not-belonging even more universal. "Cinema has made us feel three times more" (Los Ilusos, Jonas Trueba, 2013), they say that since cinema was invented, humanity feels life 3 times more, since it can find itself in situations that it could never have imagined. I dare say that the cinema has taught me everything I know and has undoubtedly managed to make me feel three times more. Well, it has made me connect with people in an honest way; the cinema has transformed me, and it has become my form of resistance. Autoethnography is composed of two temporalities: the past, the origin, my childhood. And to the here and now that marks the reflection of the questions about identity. All the subtitles are reflections that I have had today and most were written during trips that I have taken. The identity of the "lonely traveler" is the identity that I have attributed to myself and that I call a foreigner, a stateless person, someone who does not belong and who is also a suspect. Suspicious for not fitting in, for being different, for being the other. And they represent a being that reflects on the passage of time, love, loneliness, and how changing the identity of the human being is, reflections that have come out by observing people at airports, a place that I consider interesting because it seems a place to belong doesn't matter.
- Marce D’Agostino.