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Progressive Touch

Can you fu*k to an irregular beat? Progressive Touch depicts three futuristic, absurdist love scenes in which the goal is to "improve" sex by complicating its rhythm and choreography. Sex as dance as comedy. Enacted by three real life couples, the dancers' every explicit move is synchronized to the propulsive, unpredictable score which borrows elements from progressive rock, trap, and math metal.

"hilarious, sexy and joyful" - The Guardian

"...a film that is the rare combination of playful and explicit. It explores gender, power and freedom in an inclusive and humorous way as it creates a refreshing new space between art and pornography." - Jury of Norwegian Short Film Festival

  • Michael Portnoy
    Director
  • steirischer herbst ’19
    Producer
  • Vleeshal Center for Contemporary Art (Middelburg),
    Producer
  • Chris Fitzpatrick
    Producer
  • Tizo All
    Key Cast
  • Juan Felipe Amaya González
    Key Cast
  • Ilona Bankiraj
    Key Cast
  • Marc Philipp Gabriel
    Key Cast
  • Astrid Panaken
    Key Cast
  • Deva Schubert
    Key Cast
  • Stefan Maier
    Music
  • Darja Pilz
    Director of Photography
  • Camila Mercadal
    Editor
  • Michael Portnoy
    Choreographer
  • Moss Beynon Juckes
    Assistant Choreographer
  • Project Type:
    Experimental, Short
  • Genres:
    Comedy, Dance, Erotic
  • Runtime:
    12 minutes 49 seconds
  • Completion Date:
    January 15, 2020
  • Production Budget:
    60,000 EUR
  • Country of Origin:
    Austria
  • Country of Filming:
    Germany
  • Language:
    Other
  • Shooting Format:
    Digital
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • IFFR
    Rotterdam
    Netherlands
    January 25, 2020
    World Premiere
    Ammodo Tiger Shorts Competition
  • Norwegian Short Film Festival
    Grimstad
    Norway
    June 10, 2020
    Norwegian premiere
    Honorable Mention, International Short Film Competition
  • Slamdance

    United States
    February 17, 2021
    North American Premiere
  • London Short FIlm Festival
    London
    United Kingdom
    January 20, 2021
    UK Premiere
  • Pornfilmfestival Berlin 2020
    Berlin
    Germany
    German premiere
    Best International Short
  • Queer Lisboa
    Lisbon
    Portugal
    September 18, 2020
    Portugal premiere
    Short Film Competition
  • Leiden Shorts Festival
    Leiden
    Netherlands
    September 10, 2020
  • Oslo/Fusion International Film Festival
    Oslo
    Norway
    October 21, 2020
  • Bucharest International Experimental Film Festival
    Bucharest
    Romania
    September 2, 2020
    Short Film competition
  • Uppsala Short Film Festival
    Uppsala
    Sweden
    October 21, 2020
    Swedish premiere
    Short film competition
  • Luststreifen Film Festival
    Basel
    Switzerland
    October 3, 2020
  • Lima Alterna Festival Internacional de Cine
    Lima
    Peru
    September 18, 2020
    South American Premiere
    International Short Film Competition
  • Fantaspoa - International Fantastic Film Festival
    Porto Alegre
    Brazil
    April 9, 2021
    Brazilian premiere
  • Mecal Pro International Short and Animation Film Festival
    Barcelona
    Spain
    March 22, 2021
    Spanish premiere
Director Biography - Michael Portnoy

Michael Portnoy is a New York-based multimedia artist. Coming from a background in dance and experimental comedy, his performance-based work employs a variety of media: from film and participatory installations to theater, sculpture, writing, painting, and curation. He has presented internationally in museums, art galleries, film festivals and theaters, including recently Steirischer Herbst, Graz, Austria (2019 & 2018); Akademie der Künste der Welte, Cologne, Germany (2017); KW Institute for Contemporary Art, Berlin, Germany (2017); Playground, STUK, Leuven, Belgium (2016, 2014); Liverpool Biennial, Liverpool, UK (2016); Witte de With, Rotterdam, the Netherlands (2016); the Centre Pompidou, Paris, France (2015); Stedelijk Museum, Amsterdam, the Netherlands (2014); Palais de Tokyo, Paris, France (2013); The Kitchen, New York, USA (2013); dOCUMENTA 13, Kassel, Germany (2012); 11th Baltic Triennial (co-curator), Vilnius, Lithuania (2012); and the Taipei Biennial, Taipei, Taiwan (2010). He is a visiting professor at Malmö Art Academy. For more information visit: strangergames.com

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Director Statement

Excerpts from VICE Magazine interview:

Why did you make this film series, Progressive Touch?

As a comedian, I am always looking for humor-free zones to pervert. Why is there so little truly absurdist porn out there? This should be a whole niche industry! I’m not talking about parody or kink, which is still recognizable and codified in its non-conventionality. I’m talking something joyously imaginative and terrifyingly other, like the sex scene in the Swedish film Border, for instance. I want sex and sensuality to co-exist with manic nonsense and laughter. The hope is if you can reprogram human behavior at the root level of sex, by introducing formal invention and abstraction, then you can affect change similarly at higher levels of interpersonal exchange.

How did you come to this series?

It started with imagining people fu**ing to a highly irregular beat. The idea only became funnier and more inspiring to me over the years, and it was brewing for a long time. The human body is pretty uninventive musically. A healthy heart has a regular beat, we walk at a steady pace, and our genitals are wired to need a steady rhythm to climax. Foreplay can be all free jazz but to get off we need a good ole 4/4. As a progressive rock fiend, and someone who works with choreography, music, and comedy, the question is naturally going to arise: what is progressive sex? By that I mean, bodies connecting in all sorts of strange meters, tempo shifts, stops and starts, changes in dynamics, unpredictable flourishes and permutations. Now that’s just musicality. But what if we also “improve,” or complicate our movements - complicate our touch and the approach of two bodies moving towards each other. Why should a tongue go directly to a clitoris? Can’t it travel through the room in complicated, swooping baroque patterns until it gets there?

Often this is slapstick. Are these vignettes both wholly satirical and earnestly serious to you?

I love physical comedy, and you could almost see these as cartoons, like if Mr. Bean was ripped and hot, had a dick in his mouth and studied dance in Brussels. The comedy that I'm after teeters between something beautiful, sexy, uncanny, abstract, WTF hilarious, masterful and stupid as hell.