Pourim
Once a year in the Jewish calendar, everything is upside down: the day of Purim. Karmi invites Gavriel to celebrate with his community. Little by little, delirium overtakes reality.
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Joseph RomanoDirector
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Joseph RomanoWriter
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Joseph RomanoProducer
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Antoine MilletKey Cast"Karmi"SHTTL (Ady Walter)
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Tal Hever-ChybowskiKey Cast"Dan"Unorthodox (Maria Schrader), Yiddish (Nurith Aviv)
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Gabriel Gozlan-HagendorfKey Cast"Gavriel"
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Hugo CohenDirector of photography
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Project Type:Short
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Runtime:18 minutes 44 seconds
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Completion Date:March 1, 2022
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Production Budget:10,000 EUR
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Country of Origin:France
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Country of Filming:France
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Language:French, Yiddish
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Shooting Format:RED
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Aspect Ratio:16:9
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Film Color:Black & White and Color
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First-time Filmmaker:Yes
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Student Project:No
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DIA(S)PORAMA - French Jewish Film FestivalParis
France
January 31, 2023 -
MJFF - Moscow Jewish Film FestivalMoscow
Russian Federation
September 4, 2023 -
Ambrosia Food & Drink Film FestivalMoscow
Russian Federation
October 8, 2023
Best Short Film
Joseph Romano is a French film director, screenwriter and film editor. In 2022, he made his debut in narrative cinema with the short film Pourim. Since 2020, he has been working in the Jewish media outlet Akadem. He has edited several films, including Succulente by Eliott Margueron (2020), for which he received an award for Best Film Editing at the London GlobeScreen Festival. Joseph Romano has also worked for the theater: from 2019, within the Paris Yiddish Center, he collaborated on the stage of Jacob Jacobson, for which he was light designer and assistant to the director.
'Pourim' is a film about the celebration of this very special holiday (Purim). The story of Esther has been shown more than once, but never the celebration of Purim itself: a great carnival, and an opportunity for Jews around the world to dress up, sing and dance. It is even commanded to get drunk to the point of confusing "cursed be Haman”, and “blessed be Mordecai”.
This project was born from an observation: we too often contrast religion, which we deem as something austere, with a liberal culture which we perceive as joyful and transgressive. This contrast is omnipresent in cinema, where the representation of the religious environment serves only to criticize it, and, implicitly, to promote liberal culture. While these representations may portray the dogmatic side of certain communities well, they often miss the fantasy of religion.
The script of the film was built around extensive research into the celebration of Purim, including its extravagant and folkloric traditions: the designation of a temporary rabbi, the Purim Rov, to make fun of religious authorities; the parody of sacred texts in order to praise drunkenness; or even the construction of an effigy of Haman, burned or hanged. Most of these traditions, if they have not completely disappeared, have faded over time, or at least in liberal communities. The film aims to crystallize them.