Portals 3.1 - Second Movement - Reprogram
The video dance " PORTALS 3.1" is based on the desire to understand the relationships between the physical, mental, emotional and energetic-spiritual dimensions, which are aligned at every moment in the production of art and education. This interest has accompanied André Rosa (responsible for the conception of the video dance) not only in the artistic-educational sphere, but also in his work with spiritual assistance and energetic orientation. There, the concepts of materialization, anchoring, and channeling dimensions are investigated in practice.
The body, when channeling these dimensions, can produce certain movements that create energetic portals. Examples of this channeling include yoga postures and mudras. Based on this understanding, "PORTAIS 3.1" is assumed as poetry-body-enchantment, body-spell, as something capable of producing mapping and reprogramming possibilities. For this reason, the work is divided into two movements. The first, mapping, concerns the possibility of building pathways, of perceiving the paths that the different dimensions travel in each person and constitute their egregores. Thus, the questions "how do we access our energy fields?" and "how do we map their contours?" are raised. It is only through mapping that we can engage in a cleansing that, in turn, leads to the second movement: reprogramming. In this movement, the idea is assumed that nothing comes naturally and, therefore, everything can be reprogrammed. Therefore, it proposes to become conscious of oneself so that new configurations can gain space. This change articulated with the expansion of consciousness is a strength that all people have. However, they are deprived of this during the educational and cultural process, in the various socializations that compose them, making them doubt their ability to reconstruct narratives and existences beyond the visible world. There is a social demand that imposes coherence and balance as standards of consciousness and action to be followed. These "values" take away the disruptive power that inhabits the bodies, that constitutes the spiral flow of life itself. In this way, "PORTALS 3.1" opposes the notion of life as linearity. Through portals of self-knowledge, countless facets of the self are opened, infinite possibilities of existence and positioning before the world.
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André RosaDirector
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André RosaKey Cast
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Andreia MoradoSonority Artist
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Guilherme Laina de SousaEditing and Layout
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André RosaEditing and Layout
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Milena PlahtynProducer
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Guilherme Laina de SousaImage Capturing
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Tatiane MellerImage Capturing
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Julia BicudoLight designer and Light operation
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Project Title (Original Language):Portais 3.1 - Segundo Movimento - Reprogramar
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Project Type:Experimental, Short, Student, Other
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Genres:Experimental, Dance
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Runtime:8 minutes 17 seconds
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Completion Date:August 31, 2022
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Production Budget:0 USD
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Country of Origin:Brazil
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Country of Filming:Brazil
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Language:Portuguese
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Shooting Format:Digital
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Film Color:Color
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First-time Filmmaker:No
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Student Project:Yes - Maringá State University
André Rosa - Actor/Dancer/Performer, Professor and Researcher in Scene Arts. Adjunct Professor of Bachelor of Theatre at the State University of Maringá (UEM). Doctorate in Artistic Studies - Theatre and Performance - by the University of Coimbra/Portugal. Master in Scenic Arts from the Post-Graduate Program in Scenic Arts of the Federal University of Bahia (UFBA). Degree in Artistic Education - Habilitation in Scenic Arts (Dance and Theatre) - by the State University Paulista (UNESP). It develops research (theoretical and practical) that summons epistemic, sexual, linguistic, spiritual and racial dissidences between Body Studies, Performance and Pedagogy (Performance Studies, Critical Pedagogy, Queer Theory, Feminist Studies and Anticolonial Studies). His career as a professor of theatre, dance and performance includes the following Federal Universities: UFBA, UFS, UFSM and UFRGS, and Basic Education. It has integrated some artistic collectives, among which stand out: Nucleus Vendaval, Trupe Trapo, Teatro Gente-de-Fora-Vem, NuMiollo and Family Varnel. In 2015, he founded the Movimento Sem Prega (Brazil/Portugal) which, together with the Research Projects Conviviality Protocols: performance, pedagogy and anticolonial knowledge (CNPq) and Core of Studies and Scenic-Visual Creation (NEC), covers a set of people and activities from different fields of cultural, political and linguistic research, functioning as a nomadic laboratory structure, acting in the production of the live scene (theatre, dance and performance), and mediated by technologies, exploring platforms of diverse works (video-performance, expanded cinema, screen dance, audiovisual), in an artistic, pedagogical and curative approach.