Piano Rivals
Poland and Hungary are two nations in the middle of the big powers of East and West, and they have suffered greatly as pawns in the struggle for power in Europe. The two composers and piano geniuses from those two countries in the 1800s, Frédéric Chopin and Franz Liszt, were born only a year apart, and they have become symbols of their nations and a source of pride.
This film is about them, their lives, their music, and what that music has meant for their nations, neither of which were independent during the composers' lifetimes. It is the story of how much music and culture can mean to a people in despair, and the threat it poses to dictators and invaders.
We follow the background of both composers, how they grew up, both of them hailed as wonderchilds.They both met in Paris, where they were the biggest superstars of pianists.
Some of the story is told by George Sand, the female, cigar-smoking author who took a man's "nom de plume" and who knew them both, and who had a love affair with Chopin.
The film moves from biographical stories, told by scholars and experts to events of the 1900s such as the story of Chopin's heart during the second world war.
Filmed in Warsaw, Budapest, Vienna, Raiding, Zelazowa Wola, Nohant, Princeton and in Sweden, it contains interviews with some of the foremost scholars of Chopin and Liszt, as well as music performed by director Per Tengstrand, violinist Hana Mundiya and violist Katie Liu.
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Per TengstrandDirectorBeethoven - Freedom of the Will
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Per TengstrandWriter
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Hana MundiyaPerformersBeethoven - Freedom of the Will
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Katie LiuPerformers
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Zbignew SkowronInterviews
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Tibor PurgerInterviews
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András BattaInterviews
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Zsuzsanna DomokosInterviews
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Per TengstrandNarration
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Project Type:Documentary
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Runtime:1 hour 8 minutes 38 seconds
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Completion Date:November 1, 2024
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Production Budget:40,000 USD
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Country of Origin:Sweden
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Country of Filming:United States, Hungary, Poland, Sweden, United States
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Language:English
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Shooting Format:Digital
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Aspect Ratio:2K
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Palladium movie theaterVäxjö
Sweden
October 4, 2024
Premiere
er Tengstrand has been described by The Washington Post as “technically resplendent, powerful, intuitively secure,” and by The New York Times as “a superb Swedish pianist.” After winning 1st prize in Cleveland’s International Piano Competition, he has performed in venues such as the Kennedy Center, Lincoln Center, Musikverein Vienna, Gewandhaus in Leipzig, and Suntory Hall in Tokyo.
He has performed as a soloist with Detroit Symphony, National Symphony, Japan Philharmonic, Orchestra de la Suisse Romande, Singapore Symphony, and Orchestre National de France. Tengstrand is the subject of the acclaimed Swedish documentary “The Soloist”, directed by Magnus Gertten and Stefan Berg (Sweden, 2003), which was featured at the International Festival of Cinema and Technology in New York. He is the recipient of the Royal Medal of Litterus and Artibus, which he received from the King of Sweden.
There are national airports in only two capitals in the world named after classical composers: in Warsaw and Budapest. It is not a coincidence. Poland and Hungary are countries in Central Europe which for centuries have been pawns in the power struggle between east and west. When your country is not even on the map, what can bring you the togetherness of a national belonging? In these cases, music. And more precisely, Frédéric Chopin and Franz Liszt.
With this film, I wanted to tell the story of two extremely different personalities, born only a year apart, and growing up to become the two brightest piano stars of Europe, one on the concert stages, the other in the private salons.
When the Nazis entered Warsaw, they destroyed monuments of Polish importance. The first one was the Chopin monument. They forbid Chopin's music to be played, even in private homes. It is my wish that when watching this film, the power of the music, the interviews and the stories will better understand and feel the complex phenomenon of the power of culture.
The music is in the forefront. It is not only a background sound, it is an actual actor in the film. That is the way I can incorporate my experience of having lived with this music since I was six years old into making a film.