Philosophy 101
A college student begins to suspect that his philosophy professor may need a reality check.
-
Steve HosfordDirector
-
Steve HosfordWriter
-
Steve HosfordProducer
-
Kyle EastmanKey Cast"Student"
-
Mike FirekKey Cast"Professor"
-
Project Type:Short
-
Runtime:11 minutes 20 seconds
-
Completion Date:September 8, 2016
-
Production Budget:1,000 USD
-
Country of Origin:United States
-
Country of Filming:United States
-
Language:English
-
Shooting Format:DVCPRO HD
-
Aspect Ratio:2.35
-
Film Color:Color
-
First-time Filmmaker:No
-
Student Project:No
-
LA Shorts International Film FestivalLos Angeles
United States
September 8, 2016
World Premiere
Official Selection -
Indie Night Film FestivalHollywood, CA
United States
June 17, 2017
Official Selection -
Oceanside International Film FestivalOceanside, CA
United States
August 7, 2017
Official Selection -
Mountain Shadow Short Film CompetitionWalnut Creek, CA
United States
September 15, 2017
Third Place -
Glendale International Film FestivalGlendale, CA
United States
October 21, 2017
Official Selection -
Kapow Intergalactic Film FestivalNorth Hollywood, CA
United States
November 13, 2017
Official Selection -
Red Rock Film FestivalCedar City, UT
United States
November 17, 2017
Utah Premiere
Red Film Market -
Dam Short Film FestivalBoulder City, NV
United States
February 10, 2018
Nevada Premiere
Official Selection -
Portland Comedy Film FestivalPortland Comedy Film Festival
United States
March 24, 2018
Oregon Premiere
Official Selection -
North Hollywood CinefestNorth Hollywood, CA
United States
March 28, 2018
Official Selection -
Hollywood Comedy Shorts Film FestivalHollywood, CA
United States
April 21, 2018
Official Selection -
Burbank International Film FestivalBurbank, CA
United States
September 6, 2018
Official Selection -
The Comedy World Network International Film FestivalLas Vegas, Nevada
United States
Official Selection
Steve Hosford is a graduate of the Film Program at San Francisco State University, where his DOWNWARDLY MOBILE won a coveted slot in the 36th annual SFSU Film Finals (a publicly-screened showcase of student work) as well as acclaim from Gregg Rickman in the SF Weekly calling it an “excellent short film”. In 2008, Steve won Best Comedy Short at the Eugene International Film Festival for WHITEBREAD AND GOATMAN, a no-budget project which found him in the roles of director, producer, writer, cinematographer, editor, composer, and actor. Jeffrey M. Anderson, in Combustible Celluloid, praised the film for its “funny and imaginative” dialogue and “top-notch” performances. The film went on to play at nearly two dozen film festivals across the nation, and was also featured on IFC (Independent Film Channel) as part of its Media Lab Shorts Uploaded program. He has also worked in a variety of capacities on a number of spec commercials, short films, and industrials. Currently, Steve is the director, cinematographer, and co-owner of CREATE YOUR REEL, the premiere actor reel producing company in Los Angeles, voted the #1 Demo Reel Producer by the readers of Backstage.
PHILOSOPHY 101 began life as a sketch I wrote while taking classes at ACME Comedy Theatre in Hollywood, and I always thought it might make a funny short film – so, 11 years later, I jumped into action and filmed it in a lecture hall at the University of Southern California. The shoot ended up taking two full days…with a seven-week break in between.
I have a saying I like to use: Films don’t want to get made. I absolutely found this to be the case with PHILOSOPHY 101. The gory production details don’t really matter, as anyone who’s ever attempted to make a film can attest. In my opinion, filmmaking is nothing but problems – and if you’re not encountering significant difficulty attempting to make a film, you may be doing something wrong. In the end, everything worked out for the best, and I couldn’t be more pleased with the result. All due credit to Kyle Eastman and Mike Firek for making me look smart for casting them; special thanks to USC instructor Tim Astor for propping open the door to my set; and lastly, thanks to LA Shorts Fest founder Robert Arentz for agreeing to screen the film on the condition that I cut it down from its original, overlong 17-minute runtime.