«If the last last soldier of the first war was miraculously still alive, and he wanted to get rid of the terrible burden that kept him alive ... Come discover the secret of Simon Rosenberg.»
After a brief immersion in
military life and a more
complete experience in
journalism, I joined the National Conservatory of
Dramatic Art of Lille where for three years, I enriched myself in reading the great playwrights. When I left, I played in «IN » : « Les Parisiens » written and directed by Pascal Rambert, with Jean-Paul
Roussillon, I played his son, spending 6 months
rubbing shoulders with this immense actor, an incomparable experience. My foray into the world of cinema was only
technical, as I became a grip. I learnt the art of the traveling shot on : « Les gens normaux n’ont rien
d’exceptionnel » by Laurence Ferrera Barbossa, « Oublie moi » by Noémie Lowsky or « Portrait chinois » by Martine Dugowson . I went to Quebec to improve myself, in shooting « Le polygraphe » by Robert Lepage, then I came back to France as key grip on « J’aimerais pas
crever un dimanche » by Didier Le Pecheur,
« Ouvrez le chien » by Pierre Dugowson. On one of these films I met a weapons supervisor, and I
become an armorer for movies. I worked on action movies where I learned a lot, « Ronin » by John Frankenheimer, « Taxi » by Gérard Pires, « The ninth gate » by Roman Polanski. By working with Robert De Niro or Johnny Depp, I met their own technical advisors for weapons and I decided to take that step, so I became one. I

contacted intervention teams, police and military to improve myself. So I could share this experience with actresses and actors in the handling and safety inherent to firearms. I went to Germany, where there is a real demand and I work on « Straight shooter » by Thomas Bonn with Denis Hopper. I stayed for two years, shooting a lot of TV show, notably « The clown » in Cologne. I then returned to France to work on « Nids de guêpes » by Florent Siri, « Engrenages (Spiral) », and « Sécurité intérieures » for Canal +. On the set, the actors and directors would ask me for my
opinion on the script. So I pursued a five-week scriptwriting internship at CIFAP (workshop for scriptwriters). That same year, I met Jimmy Laporal Trésor, scriptwriter on the teaser of « La cité rose » by Julien Abraham, where I worked as a police and weapons technical
advisor. He decided to write me in for the character of Jacquot , head of the police department. With this experience, I became an actor and worked in « A bout portant » by Fred Cavayé, « TV Gaucho » by Michel Leclerc, TV shows, commercials. Acting gives me even more desire to write, and my background as a technical advisor inspires me to restore a veracity in the fields of the police and military. So naturally the job of scriptwriter led me to direct two short films « KOJACQUES » and « LA DER DES DER ».
best director
LA DER DES DER
ARFF BERLIN
Berlin
2018
«If the last last soldier of the first war was miraculously still alive, and he wanted to get rid of the terrible burden that kept him alive ... Come discover the secret of Simon Rosenberg.»