ℹ️ Recent event happened January 23rd.

πŸŒ΄πŸŒ‡πŸŒŠ Celebrating 15 years! πŸŒ΄πŸŒ‡πŸŒŠ
Since its inception, the PAMA has built itself an international reputation, being the only independent film festival to be held in English and in French. We wish to keep on building these bridges between Paris and Los Angeles.

πŸŒŸβœ¨πŸ’«
In today's festival circuit, the big ones are out of reach, and it has become harder to find actual real festivals to submit films and build momentum.
We started the PAMA 15 years ago to mix the American-style entertainment and ambition with the high-quality expectations that French cinema is known for.

Our judges (from Monica Cruz to Mark Dacascos), attending A-list stars (𝗦𝗛𝗔π—₯𝗒𝗑 π—¦π—§π—’π—‘π—˜, Hugo Becker, Melanie Doutey), rising filmmakers and guest speakers (James Morrison, William Baldwin) all joined in for a tradition of mixing talents, whatever your position or recognized accomplishments in our industry.

That mission lives on, and in current times of Hollywood crisis, we strive to be a part of the solution, from networking to insightful panels, from screenings to mentorship.

πŸŒ‡πŸ—ΊοΈ
Our mindset is that we are a network, not a business.
The PAMA is organized by filmmakers for filmmakers.

Our network includes:
πŸ‡«πŸ‡· The PAMA: annual in-person event and screening in Paris, France (except 2025 > 15 years celebration in Los Angeles)
🌎 The SESSIONS: competition with networking and screening options (currently on pause)

πŸ“Έ
15 years of our events in pictures:
https://parisartandmovieawards.com/gallery/

πŸŽ₯. 🎞️ πŸ“½οΈ
π—™π—œπ—Ÿπ— π—¦ π—ͺπ—˜ 𝗦𝗖π—₯π—˜π—˜π—‘ π—šπ—’π—§ 𝗧𝗒 π—§π—›π—˜ 𝗒𝗦𝗖𝗔π—₯𝗦 𝗔𝗑𝗗 𝗠𝗒π—₯π—˜
"The Fisherman's Diary" won twice at the PAMA in 2020, and is now selected to the 2021 𝗒𝗦𝗖𝗔π—₯𝗦, to represent its country.
"Game Changer" won an 𝗒𝗦𝗖𝗔π—₯, his director Aviv Mano then worked on Disney’s COCO and TOY STORY 4 (2018).
"The Wishgranter" won an 𝗒𝗦𝗖𝗔π—₯, an EMMY AWARD, and a 𝗕𝗔𝗙𝗧𝗔 (2016).
"Legacy of Lies" is distributed by Lionsgate (2020).
"Sgt Stubby", an unlikely hero, got a distribution deal at 𝗣𝗔π—₯𝗔𝗠𝗒𝗨𝗑𝗧 (2018).
"Curpigeon" got selected to 𝗧π—₯π—œπ—•π—˜π—–π—”, won the AMAZON VIDEO DIRECT Film Festival Stars (2016).
"Whisper" screened at FILMQUEST (2015).
"None of That" was STAFF PICK by π—©π—œπ— π—˜π—’ (2015).

πŸŽ₯. REVIEWS 🎞️
"My favorite festival" Alex Proyas (I Robot, The Crow, Dark City)

"Other nominees included already famous people! It really was an honor to be nominated alongside such great nominees" Lisa Hurel.

β€œI truly cannot say enough good things about the Paris Art and Movie Awards. My experience with this event was easily the best and rewarding” - Ev Duran.

"One of the most organized and professionally run festivals I've been to! The official selections were of a high standard and the networking was incredible" - Jami Ramberan.

"One of the best festival experiences I've had. Magnifique!" Warren Paul Glover.

😎 𝗝𝗨π—₯𝗒π—₯𝗦 through the years included:
🀩 John Lunn, composer of "Downton Abbey"
🀩 Monica Cruz, "Un Paso Adelante"
🀩 Olivia Sandusky, journalist, NBC
🀩 Mark Dacascos, actor, "John Wick III"
🀩 Samuel Arnold, actor, "Emily in Paris"
🀩 Patrick Fabian, actor, β€œBetter Caul Saul"
🀩 Claire Kopsky, Emmy Award-winning Journalist, CBS
🀩 Jamie Campbell, producer, "Sex Education"
🀩 Cindy Mollo, Eddie Award Winner, 4 time Emmy nominee, editor for "Ozark"
🀩 Rena Owen, actress, "Star Wars Ep II" & "ep. III"
🀩 Fola Evans-Akingbola, actress, "The Night Agent", "Siren", "Game of Thrones'
🀩 Michelle Tesoro, SXSW winner, Eddie Award Winner, editor, "The Queen’s Gambit"
🀩 Paz de la Huerta, actress, Boardwalk Empire
🀩 Brent Huff, director & actor "The Rookie", 'The Rookie Feds", 'The West Wing"
🀩 Max Markson -rep. A. Schwarzenegger, Mel Gibson, JCVD...
🀩 Cole Sibus, actor "Stumptown', Olympic Gold Medal Athlete
🀩 Mina Sundwall, actress, Netflix’s β€œLost in Space”, DC’s β€œLegends of Tomorrow”

#️⃣1️⃣ Independent π—™π—œπ—Ÿπ—  π—™π—˜π—¦π—§π—œπ—©π—”π—Ÿ π—œπ—‘ 𝗣𝗔π—₯π—œπ—¦ πŸ‡«πŸ‡·
Our program line up included movies starring: 𝗦𝗛𝗔π—₯𝗒𝗑 π—¦π—§π—’π—‘π—˜, Kirsten Dunst, π—¦π—›π—œπ—” π—Ÿπ—”π—•π—˜π—’π—¨π—™, Sam Rockwell, π—₯π—’π—•π—œπ—‘ π—ͺπ—₯π—œπ—šπ—›π—§, Vladimir Cosma, π—Ÿπ—”π—˜π—§π—œπ—§π—œπ—” 𝗖𝗔𝗦𝗧𝗔, Kristanna Loken, Mark Dacascos, Caterina Murino, Andrew J. West, Hugo Becker, Jansen Panettiere, π—§π—˜π—§π—¦π—¨π—’ π—‘π—”π—šπ—”π—§π—”, Leslie Bibb, Melanie et Alain Doutey, Macarena Gomez, Emma Bell...

Picture credits: Thore Siebrands; David Shankbone; FrΓ©dΓ©ric Ballart; Georges Biard, Matt Beurois, Auregan, Olivier Nelli.

πŸ† More than 20 awards distributed every year.

πŸ₯‡ 𝗔π—ͺ𝗔π—₯𝗗𝗦 RECOGNIZED BY THE INDUSTRY πŸ†
⭐ ⭐ ⭐ ⭐ ⭐ - reviewed 5/5 stars
⭐ ⭐ ⭐ ⭐ ⭐ - ranked #1 film festival in Paris by CBS, NBC, FOX, Authority Magazine.
⭐ ⭐ ⭐ ⭐ ⭐ - ranked by The Culture Trip best event not to miss in Paris
⭐ ⭐ ⭐ ⭐ ⭐ - Imdb & Imdb pro qualifying
⭐ ⭐ ⭐ ⭐ ⭐ - ranked by Time Out best local event
⭐ ⭐ ⭐ ⭐ ⭐ - labeled GOLD by FilmFreeway
⭐ ⭐ ⭐ ⭐ ⭐ - labeled best reviewed festival on FilmFreeway every season
⭐ ⭐ ⭐ ⭐ ⭐ - ranked Festival of the Month (May 2020) on WFCN
⭐ ⭐ ⭐ ⭐ ⭐ - favorite on the platform XERB

MENTORSHIP & DISCOUNTS
No discounts are accepted on the "Mentorship one-on-one" category.

DATES
Our listed dates are anticipated dates.
Dates may change depending on local health regulations in Paris, as well as venues availability and best dates for press promotion.
Our 2024 edition is anticipated to be in-person, with the options for hybrid, mixed event, or fully digital depending on local regulations, anticipated venues availability, international travel possibilities, logistics and insurance concerns.

SUBMISSION & SUBMISSION FEE
We accept all genres and nationalities and language for all international categories.
Work may be entered into more than one category and will be reviewed separately for each category entered. All entries entered into multiple categories will be eligible for recognition in each and will be judged accordingly.
You are allowed to have multiple entries and submit to multiple categories, with the same or different films. Each category requires its own fee.
Entries are non refundable.
Please check the recommended lengths.
We do not provide free submissions.
We sometimes offer discounts : follow us on Instagram and Facebook.
We do not review movie submissions sent directly to us by email, unless we requested it. We only accept online digital submissions via selected platforms.
Each entry and submission category must have its own submission fee. 

Films or pieces submitted to the PAMA must be dated from 2 years maximum before the date of the festival.
If you submitted to the wrong category, contact us (there may be a fee).
If selected, you grant the PAMA the right to utilize any image, excerpt, titles, words you submitted to us, for promotion purposes.
The festival organizers may refuse any illegal, non-artistic, fake, false, incomplete entries.
Each student film submitted has to provide proof of studies. If you do not provide, your entry may not make it to selection and be set to incomplete or end up disqualified.
Animated short films (even student made) must submit to animated category.
Animated features (even student made) must submit to feature category.
A documentary (even student made) must submit to the documentary category,
Works in progress are not accepted.

LIMITED OFFERS
Special offers, discounts, invitations do not guarantee a selection.

PRIZES
In the case of networking events accessible to submitters placing in the official selection: all event dates will be set by the festival. It is the artist/submitter responsibility to make one self available to the set time and date.

MATERIAL
You FilmFreeway profile must include :
- your country
- a poster of your project (whether it is a film, a script, or any piece of work. You don’t have one -> We can recommend a couple of designers).
- minimum 5 lines about your project (synopsis)
- a biography of the director or the artist.
- at least 2 pictures from the film with no watermarking.
- a trailer will be used. Your trailer must be on YouTube OR any other platform so we can embed it to our website and to our press releases. If you have no trailer: we can recommend several editors.

If an element goes missing: contact us.

If your submission does not provide a direct access to your screening file or if your video is incomplete or your material corrupted or with audio or video missing, your submission shall be changed to INCOMPLETE. If you do not react or respond to this change and/or to our emails, your submission shall be changed to "not selected" or "disqualified", before or after the selection announcement.
Decisions are final, entries are not refundable.

The names, title, country and all elements you fill your FilmFreeway profile with will be used if you get selected to the festival. Fill your profile fully and careful.
ALL communications are sent to the email address you provide. The festival is not responsible for any lost communication whatsoever.

Your FilmFreeway profile must provide a direct access to your work (video, film, photo) at all times. If your film or video disappears from your profile, your submission may be set to incomplete or even disqualified, if the incident happens after the official selection.

SOCIAL
We strongly recommend you have a Facebook and/or Twitter and/or Instagram page for your project or film so we can fully promote you.

SCREENINGS
Most screenings at movie theaters require a DCP. We offer very accessible DCP services via our Paris studio, ask us.
Screenings at other venues require a HD digital file, sent by WeTransfer, following these specifications : .mp4, H264. Films below 5 minutes : less than 500MO. Films 5 to 10 minutes : less than 1G. Films 10 to 30 minutes : less than 2G. Feature films : less than 5G.
NO .mov will be used.
It is your responsibility to provide with the proper screening file, whether this demands a DCP or a special format.
French subtitles are mandatory for ANY screening film not french speaking that has dialogs by May 30. We may contact you in advance of that date if the selection committee of the festival feels you may provide the subtitles sooner. If you do not provide, your film may be selected, but will not screen, nor win.
If you do not provide your file or DCP for screening your submission shall be changed to "not selected" or "disqualified" EVEN AFTER THE SELECTION ANNOUNCEMENT.
Decisions are final, entries are not refundable.

NO SCREENING FOR THESE CATEGORIES
Some categories do NOT open to a screening. They are made to highlight a technical skill or a specific achievement or item or talent. If you are selected for one of these categories, it is not the movie we will promote and show, but the item/talent you submitted.
List of categories that does not open to movie screening:
Feature Script, Short Script, Director, Editor, Production, DOP-Cinematographer, Actor, Actress, Poster, Score-Composer, Soundtrack Song, Spotlight, Art Photography-Still, Visual Effects.
Example: you submit a poster. If selected, your poster will show on our website and outlets. You will be invited to participate in all festival events. But the movie that you made the poster for will not screen, as the movie itself has not been submitted.

ALUMNI NETWORK
The festival management alone validates the past and present Alumni Members. For more on this, please check our website.

DISQUALIFICATION & PLAGIARISM
Over the years, we dealt with some disqualification cases and some rare cases of plagiarism.
If your film raises some concerns about illegal copy or plagiarism, the case will be discussed. You may face public announcement. If the management team feels so, the submission platform will be alerted.
Once the decision of the festival is made on a case, it is definitive. Our decisions are made and remain public.

ATTENDANCE
If you are selected or win, you are expected to attend the festival and the Award Ceremony, if such. If you cannot attend the ceremony, you must find someone in Paris to represent you and claim your award, on stage.
We do not ship trophies.
If no one is in attendance or in person for your film, your movie will not screen in a room. Even if selected, even if the Judges place it as winner.
We do offer pretty cool and powerful alternatives through our Festival TV, Watch Anytime catalogue and Virtual Events on Xerbtv.
Since we are back in person, the in-person event is now our #1 priority.
If you cannot attend, let's talk about it.
BUT we have a zero tolerance policy for failure to attend or misleading claims with regards to potential attendance. We publicly disqualify films almost every year for this reason.
Only winners present at the Awards Ceremony will receive physical awards and/or prizes. Winners who will not attend the festival will receive only digital certificates.
We are a real festival, we do real work all year long. If you want to be a part of it, just show up and you'll have fun. If you just want a laurel, we are not the ones for you.

ACCOMMODATION & TRANSPORTATION
The festival does NOT take care of travel nor accommodation expenses. We provide with a list of serious addresses.

AWARD CEREMONY
Award winners are responsible for picking up (or a representative) trophies or covering the shipping costs if delivered.

SELECTION & NOTIFICATION
We may announce the first nominees before the notification date. This does not mean the selection is complete, this means we may make a first wave of selection to facilitate attendance.
When you receive the first platform update as a selected submission, that means you are selected, and you get an Official Selection Laurel. The selection does not grant a screening in every case, please check our website.
We cannot give each submitter a personal answer regarding their selection.
The selected talents receive an email with a link to the laurel center and all information about the festival.
If you're not selected, your movie status will be updated on FilmFreeway, and the platform will send an automatic notification at due date.

SCRIPTS
Accepted scripts are un-produced and produced, if your film is of 2017, 2018 or 2019. If your film is produced, you have to send us the script.

SCORE & SOUNDTRACK
When you submit a score or a soundtrack, we judge the music, not the film, this is why we request music only.
You must then submit with a single .mp3 file within FilmFreeway. No other format is accepted.
If your score or soundtrack includes more than one track, please have all the songs / tracks rendered in the same single final bounce as a .mp3 file.
If you submit to score and/or soundtrack with a movie : you will not be considered to this category.
If you want to submit your film as Best Film and the score of your film as Best Score, you must submit two times, with two different profiles.

SPECIFICS
The New Media category includes : Web Series / New Medias / Phone Made / 360Β° / Extreme GoPro Made / Virtuality / Other special production linked to new media, new technology.
Soundtrack means pre-existing music used in a new film. You must have the rights.
Soundtrack song is a song, with lyrics, composed especially for a film. You may submit the film that includes the song, or the music track itself.
Score is original music composed for a film.

LENGTHS including credits.
- shorts > 30 minutes max, recommended under 15 minutes
- features > 105 minutes max, recommended 80-90 minutes
- music videos > 10 minutes max, recommended is the usual 3-4 minutes
- documentaries > under 15 minutes for short docs, under 85 minutes for feature documentaries.
- experimental and visual arts in motion > under 5 minutes
- animation > under 10 minutes
- scripts : feature > under 120 pages ; shorts > under 10 pages
- score and soundtrack > submit your MUSIC ONLY. No length limit.

We accept short movies, feature, short script/screenplay, feature script/screenplay, drama, horror, fantasy, comedy, web-series, documentary, animation, student, music video, experimental...

RELEASE & RIGHTS
We do not pay screening fees. FilmFreeway is a third party platform you chose to use to submit for consideration to festivals.
We might set up screenings for free, or with a box 0ffice, at the discretion of the festival, and there will be no share of gross with participating filmmakers.
By submitting to the festival, you expressly authorize the festival and its affiliates to use every piece of content and information presented in your FilmFreeway project page, in connection to the festival, the event, and for promotion of the festival, now and in the future. That includes all videos, pictures, texts (biography, logline and other) hosted on your FilmFreeway project page submitted to us.

Overall Rating
Quality
Value
Communication
Hospitality
Networking
  • We are truly grateful to the PAMA Film Festival for selecting our film 'Living UN DONE' as Best Documentary Short Film. This recognition means the world to us and validates the hard work and passion that went into our project.

    The festival's dedication to showcasing diverse voices and compelling stories is truly inspiring. Thank you for providing a platform for filmmakers like us to share our work and connect with audiences. We are honored to have been part of such a wonderful event!

    February 2025
  • Gizem tataroğlu

    I am truly grateful for an amazing experience at the PAMA Film Festival! Premiering our film β€œCargo” and receiving the Best Dance Film Award was an incredible honor. The festival’s 15th anniversary at Los Angeles Performing Arts was beautifully curated, and I felt great joy watching the carefully selected films and connecting with so many talented artists.

    A huge thank you to the festival team for their dedication, hospitality, and wonderful energy. Your hard work and meticulous organization made this event unforgettable. I can’t wait for the next edition!

    February 2025
  • Jaya George

    Lovely festival. I learned a lot from the question and answer sessions. Matt was wonderful communicating and accommodating issues that came up. Would love to attend again.

    January 2025
  • It was a great experience for me!

    January 2025
  • Tyler Reese

    The short films were great and I wish all the filmmakers nominated more success. Thank you to the team there for organizing this event; Matt was extremely communicative and accomodating. For my first time attending a film festival, this was a great experience.

    January 2025