Paper Man
“What a fucking world! You should go and fuck yourself, goddamn assholes!”
A gold medal on the neck, a picture on the back pocket and chronic back pain. Inmok, who is in his 40’s, always glares at old people passing by with anger. He receives the eviction notice from his old house and decides to stay out of the world to become a Buddhist monk but that’s not even easy. Since he has nowhere to go but wants to save face, Inmok starts a new life in a serene place where it’s under the bridge.
There’s an old man, who has already lived there before Inmok, smiles at him but Inmok doesn’t like him. Inmok picks up boxes to make a bed as soon as he sees the old man has a decent sleeping box.However, collecting boxes is not easy and each area is already taken. Kidong, who has a mental disability, comes to read books for the old man every day. Inmok is impressed by him doing his best to get a Choco Pie and offers Kidong to collect boxes for Choco Pie. Inmok has been making his house with boxes as if he competes with the old man. Seoyeon, a girl, who shows up to him and asks for a cigarette, is in the thought of a place to die. While their bond is getting stronger unknowingly, arson on paper companies made the box price higher than ever. Although Inmok does his best collecting boxes to live better, the world does not seem to care about him.
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Motae KiDirector
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Motae KiWriter
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Jin KwakKey Cast
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Jin KwakExecutive Producer
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Hyunjun JangSupervising Producer
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Youngjin JeongLine Producer
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Geunwon SeoCamera Operator
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Changjin YooSound Recordist
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Hyunjun JangLocation manager
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Youngjin JeongAssistant Director
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Hongjae JangSet Director
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Hyunji KwonScript Supervisor
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Hyunji KwonGround Plan
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Hongjae JangClapper Loader
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Hyunjun JangEditor
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Hyunjun JangDigital Colorist
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Jinyoung JangSound Designer
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Hayoung LeeSound Designer
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Park MinwooSound Designer
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da hee KimFoley Artist
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Dohun ImSound mixing engineer
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Secret Asian MenComposer
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Sejung HeoComposer
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Yeonjong KimComposer
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SubeenTranslator
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Project Type:Feature
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Runtime:2 hours 9 minutes 9 seconds
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Completion Date:January 31, 2022
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Production Budget:32,000 USD
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Country of Origin:Korea, Republic of
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Country of Filming:Korea, Republic of
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Language:Korean
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Virgin Spring Cinefest
Narrative Feature WINNER -
Mountain View International Film Festival
Narrative Feature WINNER -
Druk International Film Festival
International Narrative Features, OUTSTANDING ACHIEVEMENT AWARD -
World Film CarnivalSingapore
Narrative Feature, OUTSTANDING ACHIEVEMENT AWARD -
Knight of the Reel Awards
Narrative Feature WINNER -
Vancouver Independent Film Festival
Best International Feature Film -
International Manhattan Film Awards
Best International Narrative Feature WINNER -
Rome Prisma Film Awards
Nominee -
Montreal Independent Film Festival
Nominee -
Seattle Film Festival
Nominee -
Independent International Festival
Nominee
Kimotae, (August 3rd, 1984~)
Born in Seongnam, Gyeonggi-do, South Korea. He was raised by his grandparents away from his parents. He was far from enjoying cultural life since he lived in a village in the countryside which is called Namha. It was only fun and pleasure reading fairy tales bought by his aunt, dancing and singing along to popular music from his father. He left for a city called Seongnam at the age 13 and enjoyed dancing and singing in a small studio. That naturally led to the entrance for a school of musical performance having been advised by his colleague in a dance team. That’s how he learned acting and realized he is cut out for it, however, he could not graduate because of livelihood although he transferred to a university and concentrated on studying. He joined a few plays out of school but still had difficulty in life due to insecurity from family issues.
After he suffered from depression, he started to feel secure from the counseling and colleagues who remembered and encouraged his talent. It made him go back to work for his career. The chief in the dance team encouraged him to join the production for play and it had a good result. This was the starting point to put his mind to his work. A friend of his who was in a movie production team encouraged him to be in charge of writing scripts and acting but he was still eager to learn although he was getting experienced in the field. He studied scenarios and worked together with the professional writer for 3 years.
Interestingly, he once moved to Busan for a play and met a soulmate. They got to have strong belief in each other and started to create films. Kimotae is in charge of writing and directing while his colleague, Hyunjun Jang supports and manages in general. They became confident and planned a low budget but feature film. Kimotae produced his first feature film, Paperman in 2021 sponsored by a good acquaintance who liked his script.
People who are in their 40’s are called the backbone of the economy. As known as the Sandwich Generation.
Everything will be done once they fall apart. No one pays attention to their issue even though it is regarded as a generation which doesn’t have the leverage. They were called Generation X which used to be unpredictable but the younger generation is harder to understand for Gen X. They resisted the old custom and created a new culture but now they are considered a preachy generation. In fact, being stuck with old and new generations is not only for a certain generation. Audiences only get to see in the perspective of a mid 40’s main character who stands between generations. It can be observed with his eyes, however, it even gets distant if Inmok is in pain or emotional in the movie. Which could you empathize with among different generations having their own ways to live?