Orbits

The relationships we have work in the same way atoms and the planets do. We gravitate towards each other with our personalities and interests, creating our own spheres of influence, or “orbits”

  • Michael Adlem
    Director
  • Michael Adlem
    Writer
  • Michael Adlem
    Producer
  • Josh Hover
    Sound Design
  • Project Type:
    Animation, Short, Student
  • Runtime:
    50 seconds
  • Completion Date:
    May 13, 2024
  • Production Budget:
    20 GBP
  • Country of Origin:
    United Kingdom
  • Country of Filming:
    United Kingdom
  • Language:
    English
  • Shooting Format:
    Digital
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    Yes
  • Student Project:
    Yes - The University of Salford
  • Salford Degree Show
    Salford
    United Kingdom
    April 15, 2024
    New Adelphi Theatre
Director Biography - Michael Adlem

I'm Mike Adlem, the man behind the camera, model maker, and animator! I'm a student at The University of Salford, specialising in stop-motion animation working on multiple projects for the Lightwaves festival such as "A Phage Christmas".
I wanted to show that people have a pull on eachother, it's important to share experiences and stay connected so I expanded on that idea to link our behavior to the effect gravity has on everything around us.
Josh Hover, noted for his works in productions such as "Gun Running Grass", provided the sound design and a massive help in creating the right ambience.
It's been a pleasure working on this project!

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Director Statement

What originally inspired me was Hirhiko Araki's philosophy in his manga "Jojo's" it's themes are that we all affect one another, where characters will overcome struggles through will and the ability to inspire others.
I took these themes quite to heart and wanted to expand on my optimism, portraying that despite the vastness in scale we're still important and the ability to express ourselves is an incredible gift. So while others may feel an existential dread around these thoughts I find it quite liberating.
I chose Stop-motion because it has a familiar and novel tone to it, like a toy you played with as a child. When showing the scale of our planet I wanted to say "don't feel small, feel inspired to become giant." I think in an age of instant gratification fed to us, we fail to recognise that the act of doing in and of itself is a source of meaning, when we only look for an intended outcome we cut corners and lose sight of why we wanted to get that outcome in the first place.
Stop-motion can be an arduous task, and logitistically difficult with prop placement and camera placement that other mediums have more liberty with, but it's in that constriction you find innovation.
If anything else I want the audience to know that while yes you may be afraid of what the world is becoming, it takes courage to overcome that fear to be true to yourself and embody the ideals of a better world.