One Man's Land
1918, Amiens, FRANCE. William, a young Canadian soldier get injured on the battlefield and find himself stuck in a shell hole. For 48h he will have to find a way to escape and survive the horrors of No Man’s Land…
-
Valentin MouliasDirector
-
Valentin MouliasWriter
-
Jacob CrawfordProducer
-
Bailey WoodProducer
-
Jordan VazquezProducer
-
Dylan SchmidKey Cast"William"1922, Snowpiercer
-
Alessandro PekinKey Cast"Heinrich"
-
Dave BeamishKey Cast"Walter"
-
Amir ZeinoKey Cast"Hans"
-
Alex PfeglerKey Cast"Bruno"
-
Jay KamalCinematographer
-
Oswaldo Lopez DantesEditor
-
Sean WilliamComposer
-
Jessica KalanCostume DesignerBones of Crows
-
Gabrielle D'ErricoProduction Designer
-
Chris CrawfordProperty Master
-
Heather MorlidgeHair and Make UpBuckethead
-
Thierry DiabSound Design
-
Teo Van RaalteSound Mixing
-
Janene CarletonStuntAvengers: Endgame
-
Carlos Paez BuitragoStuntYellowjackets
-
Martin TestaSPFXThe Mother
-
A.J. GarcesVFX
-
Project Type:Short
-
Genres:War, Period, Drama
-
Runtime:15 minutes 59 seconds
-
Completion Date:June 24, 2024
-
Production Budget:15,000 USD
-
Country of Origin:Canada
-
Country of Filming:Canada
-
Language:English, German
-
Shooting Format:Digital
-
Aspect Ratio:2:0
-
Film Color:Color
-
First-time Filmmaker:No
-
Student Project:No
Born in 1995 in Paris, France and raised in Barcelona, Spain. Valentin manifested very early on an interest for drama and filmmaking. Radio host, actor, writer, filmmaker, plastic artist, musician,...he tried a variety of mediums and art but filmmaking was the one sticking.
After 4 years in the film school ESCAC (Escola Superior de Cine i Audiovisual de Catalunya) in Barcelona and co-directing with his fellow schoolmates the feature film La Filla D'Algú (2018) he decided to move to Canada to try his luck in the American Industry as an Assistant Director and a Prop Person.
3 years later he was back behind the camera with One Man’s Land, a short film about the infamous 1918 Battle of Amiens and is currently working on a dance project about Tango...
History nerd, Valentin specialized in period films so he can mix his passion for historical research with his love of drama...
My love for film is tightly related to my love of history, rooted in the countless hours watching old Westerns, Peplums, Noir or simply some very old movies in our cottage in Southern France. Showing what once was, how fascinating, how poetic. No only to watch as an audience but also to make, to learn about, to recreate…
Growing up in France, I was surrounded by traces of my past. You can’t walk in the street of Paris without passing by a plaque telling you who lived there, the bullets impacts from WWII on a wall of a monument dedicated to a great man or women who died long before I was born and accomplished tremendous things.
WWI was a generational trauma in France. Every village, no matter how small they are, have a memorial to their deads with an endless list of names. It always struck me how many families lost the father, the brother and the uncle in the span of 4 years, and for very little gain as the ones who came home came back demolished…
WWI is the conflict who made us open our eyes to the horror of war and to the terrifying scale of the Industrial World: Millions of shells, millions of men and millions of dead, far from the ideals of courage, sportsmanship and nobility of the past. I also wanted to show the loneliness and feeling of abandonment that those soldiers have so often felt.
One Man’s Land has been an incredible challenge for me: self-financed my WWI epic took me 4 years to complete because my team and I insisted to carefully check every detail to make sure they would delivered the appropriate emotion. I’m extremely proud of this titanic work that explores violence, thrill, depression and fear and I can only hope it went beyond your expectations…
Valentin Moulias