Ode To Black Women.
“Ode To Black Women” is a poignant mini-documentary directed by Nathaniel Lloyd Richards, inspired by the powerful poem "Ode to Black Women." Set against the backdrop of the vibrant city of Manchester, the film intimately captures the stories of 5 remarkable black women as well as an extended cast ranging from 19 to 92 years old.
The documentary unfolds as a mosaic of experiences, each woman sharing personal narratives that echo strength, resilience, and empowerment. It beautifully weaves together tales of triumph over adversity, including a courageous battle against breast cancer, through diagnosis, double mastectomy, and the empowering choice to embrace her body as it is.
A story about a mother of two who contracted COVID-19 while nine months pregnant adds a poignant layer to "Ode to Black Women." This particular narrative not only reflects the challenges posed by the global pandemic but also underscores the resilience and strength of black women in the face of adversity.
The details of the mother being in a coma for six weeks, giving birth while in that state, and subsequently fighting her way back to normalcy are undoubtedly powerful.
The film takes a closer look at the intersectionality of these women's lives, delving into the challenges faced by those who chose to leave abusive relationships while navigating the complexities of motherhood. Their stories highlight the indomitable spirit that transcends generational boundaries, reinforcing the theme of unity and support within the black women community.
A particularly moving segment features the insightful perspective of a 92-year-old grandmother who shares her journey from Jamaica to Manchester in the 1960s. Her narrative provides a historical context, shedding light on the resilience and determination that defined the migration experience during that era.
“Ode to Black Women” not only serves as a celebration of black womanhood but also as a tribute to the diverse narratives within the community. The film captures the essence of strength, sisterhood, and the collective power that emerges when women share their stories. Through a visually compelling lens, the documentary invites audiences to connect with the universal themes of perseverance and empowerment, leaving a lasting impression that transcends age, culture, and circumstance.
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Nathaniel Lloyd RichardsDirector
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Nathaniel Lloyd RichardsWriter
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Nathaniel Lloyd RichardsProducer
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Inez May RichardsOde To Black Women
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Fleur FergusonOde To Black Women
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Natasha RichardsOde To Black Women
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Kysha EllisOde To Black Women
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Alexandra FergusonOde To Black Women
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Skye Richards-SamuelOde To Black Women
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Dionne DeaconOde To Black Women
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Shea Thompson-BlakeOde To Black Women
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Toya RobinsonOde To Black Women
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Paulette CampbellOde To Black Women
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Stacey Jaco Wilson-McMahonOde To Black Women
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Tylah PierceOde To Black Women
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Tracey AnyanwuOde To Black Women
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Edwina AnyanwuOde To Black Women
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Janine RobinsonOde To Black Women
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Divinia WilliamsOde To Black Women
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Donique WintOde To Black Women
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Vanessa RichardsOde To Black Women
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Mervet RichardsOde To Black Women
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Evadney RichardsOde To Black Women
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Adanna UzoigweOde To Black Women
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Shona MantackOde To Black Women
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Melissa SpenceOde To Black Women
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Karen HoyteOde To Black Women
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Lee-Ann IgbonOde To Black Women
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Rosemary QuayeOde To Black Women
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Leslie StewartOde To Black Women
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Le'Asha RichardsOde To Black Women
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Diaz Wadley-WintOde To Black Women
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Project Type:Documentary, Short
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Genres:Visual Poety, Documentary, Short, independent, cultural
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Runtime:13 minutes 56 seconds
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Completion Date:February 10, 2024
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Production Budget:1,500 GBP
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Country of Origin:United Kingdom
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Country of Filming:United Kingdom
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Language:English
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:No
Born in Manchester, England in the mid 80's to Caribbean parents born in both Jamaica and St. Kitts and Nevis I grew up in a household heavily influenced by West Indian culture filled with reggae, soca, dancehall and the rich aromas that come with Caribbean cuisine. Later on in my childhood I was exposed to hip hop by way of my older sister who was a huge fan of artists such as MC Lyte, Salt-n-Pepa, Biggie Smalls, Queen Latifah and Tupac Shakur. I found myself paying close attention to their word play and also to the stories they would tell about neighbourhoods they lived in which were not too dissimilar to my own and their experiences growing up black and underprivileged in society.
When my mother remarried I was then introduced to the likes of singer/songwriters like Bob Dylan, Johnny Cash and Van Morrison by my stepfather which further piqued my interest in story telling. He also introduced me to the works of Tolkien whose books quickly became my favourites in how they used poetry and song to build a world within which the stories were based.
Jazz music was something I discovered later on in my childhood. I would buy old Jazz records at local record stores and listen to the way lyrics were written so poetically and spun around the melody so effortlessly it really intrigued me. The history of Jazz fascinated me, being a concoction of old African rhythms and grooves combined with classical European instruments and its tendency to not follow traditional musical rules. But also for the fact that (not unlike Hip hop) it was also later used as protest music in the fight against segregation and the racism rife in America at that time - Not much has changed.
Songs such as Billie Holidays "Strange fruit" and Nina Simone's "Mississippi Goddamn" were strong showcases of defiance in response to horrific violent crimes against Black people in America. Words and music are incredibly powerful.
My interest in Poetry began at 16, I was a shy and awkward teenager and was extremely guarded with many things in my life not making much sense at all. Then I stumbled across Allen Ginsberg a gay Jewish Poet/writer from Newark, New Jersey far away from my Manchester home life. Allen wrote about topics many at that point had not dared to speak about at least in literature to extent that he did. Sexuality, multiculturalism, illegal wars even the love of Jazz music and his connection to drug use. I related to him and a lot of what he was writing about, it was a revelation. This began my journey into writing Poetry which first led to the creation of my own book of personal poetry 'Compathy' which I self published in 2019 and became the catalyst for my forthcoming collection with BentKey Publishing. Touching on topics such as relationships, grief, anxiety and social injustice.
'Lighthouse' is a book about a journey to be the person I've always strived to be, ever growing, ever changing.
My passion for visual poetry propelled me into the realm of filmmaking, leading me to direct the mini-documentary film titled "Ode to Black Women." Inspired by a profound admiration for the extraordinary resilience and strength exhibited by black women, this project aims to weave a visual tapestry that captures the essence of their remarkable journeys. Through a lens that seeks to celebrate and honour their unique narratives, "Ode to Black Women" aspires to shed light on the untold stories of strength, courage, and triumph, showcasing the indomitable spirit that resides within these unsung heroes. This endeavour serves not only as a testament to my artistic vision but also as a heartfelt tribute to the resilience and beauty inherent in the experiences of black women.
“You’re doing a really good ting Nay-tan.” Words from my 92 year old Jamaican grandma after I interviewed her for my visual poetry/mini documentary film based on my poem ‘Ode To Black Women’. That enduring accent still thick and intact after 62 years of living in the UK, a true reflection of my Grandmothers strength, pride and resilience. It resonates through my creative endeavours and is a trait I hope to continue to apply to the creation of my art.
My name is Nathaniel Lloyd Richards I am the only boy of five siblings, the son of two Caribbean immigrants. My father from Jamaica and my mother from the tiny country of St Kitts and Nevis. Both my parents struggled adjusting into the UK and initially were only offered manual labour jobs while experiencing extreme poverty and racism I’m sure they only told me the half of. My father is no longer with us but my mother (now retired) enjoyed a successful career as a Mental Health professional. My parent's struggle and triumph in the face of adversity, navigating a new life in the UK, I feel add depth to my narrative. Their experiences, though challenging, have contributed to the mosaic of influences that inform my art. I have embraced and woven these diverse elements into my work, creating a reflection of my heritage and the broader human experience.
I have always been inspired by my surroundings, growing up in Manchester our community was a melting pot of cultures and ethnicities, an inner-city mish-mash of beautiful diversity. My household however was quintessentially Caribbean. From the food to the constant sounds of reggae, dancehall and Soca to the language used, that charmingly rough patois. Our culture was imbedded into the structure of the many houses we lived in. This is most blindingly evident in my poetry. My childhood experiences not only shape how I choose to live in the world, they seep into my writing, the language, the stories, the humour. The rich tapestry of my cultural background, rooted in the Caribbean but flourishing in the diverse community of Manchester, has undeniably shaped my artistic expression.
For a long time my family have been the biggest supporters of me pursuing my creative passions and I don’t take it lightly. This is because I don’t come from a creative family, nobody in the family studied the arts or is an artist so to still have that support means everything to me even if sometimes they may not completely "get it."
Recently I was told (I hadn’t asked) that I should choose one of my talents and I was taken aback by the sentiment. I have definitely shunned this idea that we need to as artists stick to one thing we are good at. I certainly identity as a multifaceted artist— a poet, singer/songwriter, music producer, director, and curator— who demonstrates a holistic approach to creativity. The fusion of my talents reflects the dynamic and ever-changing nature of art. By refusing to adhere to the notion of specialising in one area, I am embracing the freedom to explore and express myself across various mediums. I enjoy joining my talents together to create art and just like my dear Grandma this is something I refuse to change, art is never just one thing it is ever changing. I will continue to draw inspiration from my roots, to celebrate the beauty of diversity, and let my art be a reflection of the rich tapestry of my life.