ORIGIN OF THE SPECIES

Abigail Child has been at the forefront of experimental writing and media since the 1980s, having completed more than fifty film/video works and installations, and written 6 books. An acknowledged pioneer in montage, Child addresses the interplay between sound and image, to make, in the words of LA Weekly: “brilliant exciting work…a vibrant political filmmaking that’s attentive to form.” Her major projects include Is This What You Were Born For?: a 9 year, 7-part work; B/Side: a film that negotiates the politics of internal colonialism; 8 Million: a collaboration with avant-percussionist Ikue Mori that re defines "music video"; The Suburban Trilogy: a modular digi-film that prismatically examines a politics of place and identity; and MirrorWorlds: a multi-screen installation that incorporates parts of Child's "foreign film" series to explore narrative excess. Her most recent work is an ongoing trilogy of feature films, including the completed UNBOUND, an imaginary 'home movie' of the life of Mary Shelley, teenage author of Frankenstein, and ACTS & INTERMISSIONS: on the life of anarchist Emma Goldman in America. The last, MORE THAN HUMAN explores human-machine interactions in the 21st century.
Winner of the Rome Prize, a Radcliffe Institute Fellowship, Guggenheim and Fulbright Fellowships, the Stan Brakhage Award, as well as participating in two Whitney Biennials, (1989 and 1997) Child has had numerous retrospectives worldwide. These include Buena Vista Center in San Francisco, Anthology Film Archive (in conjunction with The New Museum, NY), Harvard Cinematheque, Reservoir, Switzerland, EXIS Korea, the Cinoteca in Rome and Image Forum in Tokyo. Her work has been exhibited at the Museum of Modern Art NY, the Whitney Museum, Centre Pompidou, Museo Reina Sofia, and in numerous international film festivals, including New York, Rotterdam, Locarno and London. Harvard University Cinematheque has created an Abigail Child Collection dedicated to preserving and exhibiting her film work.
Child is also the author of six books of poetry (A Motive for Mayhem, Scatter Matrix and Mouth To Mouth among them) and a book of critical writings: THIS IS CALLED MOVING: A Critical Poetics of Film from University of Alabama Press (2005). As a professor at the School of the Museum of Fine Arts, Boston (1999-2016), Child has been instrumental in building an interdisciplinary media/film program; her work and practice have inspired a generation of younger artists.