Nocturne

"Nocturne" germinated from a seed planted during my high school graduation trip. The story has evolved significantly since its inception, yet it maintains the same compelling character dynamic between an old man and a child, underpinned by a profound exploration of freedom. This theme of freedom, which has long fascinated me, poses intricate questions: "Is true freedom attainable within human society?" and "Can one obsessed with the idea of freedom ever truly be free?"

These philosophical inquiries catalyze the narrative of "Nocturne." The film's conclusion, conceived at the outset, encapsulates the paradox of freedom: a disabled man, abandoned outside his own house, embodies freedom yet simultaneously epitomizes entrapment. This powerful imagery bifurcates into our two central characters. Pedro, physically unbound but mentally ensnared, and Theodore, physically constrained but mentally liberated, weave a fable-like tale. Their journey in pursuit of holistic freedom - both physical and mental - is obstructed by societal forces, embodied by the gang. The resultant transformation of these characters underscores the arduous path to true freedom, a challenge that resonates universally and pertinently in contemporary society.

In a way, each character in the film is a fragment of myself. Pedro's confusion about belonging, Ethan's insecurity, Michael's teasing nature, Dylan's anger, and Theodore's deep thoughts – all these facets are reflections of my own personality. By disintegrating and reassembling these parts of myself into the film's characters, I have created a piece of art that, while seemingly unconnected to me, resonates deeply on all levels.