Nine Different Nuances of the Same Colour
This film essay brings together the particular and the universal in a conversation with a landscape
framed by a window from a single position, which is summoned from the intimate, the historical,
the political and the aesthetic, to glimpse the complex processes that have shaped it over time
and, simultaneously, to deconstruct the gaze that rests upon it.
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Carlos Vásquez MéndezDirector
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Project Type:Documentary, Experimental
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Runtime:1 hour
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Completion Date:January 5, 2025
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Production Budget:18,000 EUR
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Country of Origin:Chile, Spain
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Country of Filming:Chile
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Language:Spanish
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Shooting Format:S16mm / 16mm
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Aspect Ratio:16:9
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Film Color:Black & White and Color
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First-time Filmmaker:No
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Student Project:No
Carlos Vásquez Méndez is a visual artist, filmmaker and researcher. He is interested in the relationship between art and document, discourses on the representation of the real and the role of the artist as a critical historian. Through his practice he has investigated obsolescence as an aesthetic-political discourse or media anarcheology, especially celluloid, the material with which he has developed most of his work.
His film works have been screened at Jeonju, FIDMarseille, Mar del Plata, First Look, Cineteca Mexicana, OpenCity, Process, Black Canvas, BPI/Centre Pompidou, etc. He has received the Joris Ivens/Centre National des Arts Plastiques award at Cinéma du Réel (FRA) in 2016 and the Mayor’s Prize in Yamagata (JP) in 2019. His film installations and performances have been exhibited at Virreina Centre de la Imatge, La Capella, Filmoteca de Catalunya, Fabra i Coats or Arts Santa Mònica.
His work is part of the Light Cone catalogue.