Naphtha Tears
A body (a girl’s, the earth’s) has disintegrated into images, been fragmented across the endless surfaces of audiovisual capitalism. Three avatars travel through copies of copies of landscapes, performing a ritual to heal the wound, to stem the flow of pixels and oil. In the associative logic of the dream, different realities bleed into one another: from the dark underbelly of contemporary popular culture, to ancient vegetation myths, to subterranean histories of fossil fuels. The montage combines disparate images, ranging from 3D animation reminiscent of early internet aesthetics, to images filmed in Hollywood’s periphery, or the pixelated, glitchy scraps and leftovers of late-capitalist audiovisual production, and weaves them into a poetic reflection on ecology and image culture, where ghostly paparazzi flashes, simulated myths, celebrity-saints, magic plants, and secret histories of coal and oil coagulate, contaminate each other.
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Dominique De GroenDirector
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Dominique De GroenWriter
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Dominique De GroenProducer
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Dominique De GroenSound design
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Dominique De GroenEditing
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Dominique De GroenAnimation
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Project Title (Original Language):Naphtha Tears
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Project Type:Animation, Experimental, Short, Student
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Genres:Experimental
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Runtime:15 minutes 5 seconds
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Completion Date:July 1, 2022
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Production Budget:750 EUR
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Country of Origin:Belgium
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Country of Filming:Belgium, United States
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Language:English
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:Yes - KASK School of Arts Ghent
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Images FestivalToronto
Canada
April 13, 2023
World premiere
Official selection -
Sehsüchte FestivalBerlin
Germany
April 22, 2023
European premiere
Official selection
Dominique De Groen (°1991) is a Belgian writer and visual artist. She has published four volumes of poetry in Dutch, as well as poems, fiction, and essays in a variety of magazines, both online and off, in Dutch and in translation. In 2022, she completed her Master’s in Media Arts at KASK School of Arts. In her short films and video works, she remixes filmed images, found footage, and animation to explore a variety of themes such as to ecology, popular and internet culture, and late-capitalist experience and affectivity.