Nahal - From the Hives of Oman
Individual stories of beekeepers are tied together by a tour company owner, set in a country where hospitality is considered a duty: provided with a wealth of stories and a bounty of traditional food, from which honey forms a small but significant example.
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Aditi KumarDirectorDirector
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Kumar GovindarajanProducer
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Harini KumarProducer
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Mohammed AulathaniKey Cast
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Mohammed ShanfariKey Cast
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Sulaiyum al OufiKey Cast
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Masoud al JabryKey Cast
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Ibrahim al RawahiKey Cast
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Zaina AulathaniKey Cast
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Midhun MukundAdditional Cinematography
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Aditi KumarCinematographer
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Aditi KumarEditor
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Anurag KumarSound Recordist
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Brandon EngelSound Mixer
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Brad BeasleySound Mixer - Re-edited cut
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Project Type:Documentary, Short, Student
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Genres:Culture and Lifestyle, Nature and Wildlife
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Runtime:18 minutes
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Completion Date:September 30, 2020
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Production Budget:1,501 USD
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Country of Origin:Oman
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Country of Filming:Oman
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Language:Arabic, English
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:Yes
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Venice Short Film FestivalLos Angeles
United States
December 15, 2020
North American Premiere
Semi-Finalist -
Goa Short Film FestivalPune, Maharashtra
India
December 12, 2020
Indian Premiere
Official Selection -
Athens International Monthly Art Film FestivalAthens, Attica
Greece
Greek Premiere
Honorable Mention
I'm a film-maker and MFA film production student at Loyola Marymount University. Although originally from India, I spent my childhood growing up in Oman, a West Asian Islamic nation sharing its borders with Yemen and Saudi Arabia. My goal is to explore culture, customs and traditional lifestyles through both narrative and non-fiction genres; Nahal is my second documentary short.
Nahal is as much a film as it is an ode to the country I grew up and fell in love with. Beekeeping has gained prominence today for its ecological and sustainable goals in preserving bees and their crucial role in our failing ecosystems. To be able to practice it with this intention in a less-than-ideal climate, as well as associate it with childhood memories and familial traditions makes it a near allegory for Oman's own economical and cultural journey.
I have always wanted to make a film in Oman, and through Nahal, hope to fan the increasing interest in independent filmmaking there.