Moving On

When Jazz's awkward ex-boyfriend invades her father's funeral, she must deal with her unresolved relationship and her father's expiration at the same time.

  • Perry Cox
    Director
  • Perry Cox
    Writer
  • Bretton A. Miller
    Producer
  • Anna Beth Baker
    Key Cast
    "Jazz"
  • Ashley LeConte Campbell
    Key Cast
    "Deb"
    Get Out, The Blind Side
  • Liam O'Brien
    Key Cast
    "Conner"
  • Katie Faith Tawzer
    Key Cast
    "Diana"
  • Rae Jenkins
    Production Designer
  • Connie O'Connor
    Director of Photography
  • Emily Walowski
    Editor
  • Megan Lynn Baer
    2nd Assistant Director
  • Alivia Hernandez
    Art Director
  • Cooper Shapiro
    1st Assistant Camera
  • Rose Louise Hoover
    2nd Assistant Camera
  • Andrew Bourne
    Sound Mixer
  • Jaelyn Ellis
    Gaffer
  • Melissa Calderón
    Key Grip
  • Project Type:
    Short, Student
  • Genres:
    Drama, Comedy, Romance
  • Runtime:
    7 minutes 9 seconds
  • Completion Date:
    April 21, 2021
  • Production Budget:
    0 USD
  • Country of Origin:
    United States
  • Country of Filming:
    United States
  • Language:
    English
  • Shooting Format:
    Red 2K
  • Aspect Ratio:
    1.85:1
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    Yes - Florida State University College of Motion Picture Arts
Director Biography - Perry Cox

Born optimist, raised pessimist, and living in reality, Perry has the determination of a lion but the tender heart of an artsy twenty-something, which he is. Perry started out in front of the camera and in front of teachers’ desks, but he hopes to work behind each in time.

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Director Statement

“Moving On” was inspired by something my mom said to me shortly after divorcing my dad. The characters in the film represent my own flaws in relationships, rather than those of my parents, but the overall theme and emotion does come from their relationship and the things they may have wished they could say to one another. Subconsciously, this film may be my way of providing closure for them, through my own dark sense of humor; however, I cannot deny that I’m revealing some truths about myself mixed in with all of this. There were many times from development to post production in which I felt lost or unsure about why I was making this film or how exactly I wanted it to turn out, but whenever I’d remember my mother’s words or bits of my own relationship experiences, I’d get right back on track.