M.O.V.I.E

The film opens with a wide natural forest, the external environment is presented, through lines, shapes and sounds.. The flora is contaminated by the dress, which symbolizes the contrast between time and appearance. The protagonist does not manifest himself directly ( at first ), but his presence is captured by the viewer through reflection. There is an alternation between internal and external instances, at the same time represented by the bare environment of the cave and the flourishing exterior of it. The internal dualism ( mind ) - external ( appearance ) is reflected in the split between the small narratives ( memories ) and the clothes hanging among the trees ( memory ). The protagonist is in constant conflict between what appears and what is in his intimate. This struggle, results in an attempt of awareness that will prove unsuccessful, as the conflict between the individual parts of a whole is divided by definition.