ME VOY

'Me Voy' is a short film that looks at the lives of young people that are lost in the in the modern world, slowly forgetting about the true relations and feelings.
Klara (23) and Adrian (25) are a couple. They spend their free time taking care of their dog and watching a 90s TV series. The pompous and luxurious life of the protagonists is also a space where they can freely express their emotions and feelings. For Klara, an unattainable model to which she strives.

  • Sara Bustamante- Drozdek
    Director
  • Sara Bustamante- Drozdek
    Writer
  • Eryk Siemianowicz
    Producer
  • Adam Romanowski
    Director of photography
  • Tomasz Kajetan Naruszewicz
    Editor
  • Marianna Zydek
    Key Cast
    "Klara"
  • Magdalena Celmer
    Key Cast
    "Magda"
  • Maciej Miszczak
    Key Cast
    "Adrian"
  • Jan Dravnel
    Key Cast
    "Jan"
  • Andrzej Konopka
    Key Cast
  • MIN t
    Music
  • Project Type:
    Short, Student
  • Genres:
    Drama, COMEDY
  • Runtime:
    27 minutes 27 seconds
  • Completion Date:
    January 31, 2019
  • Production Budget:
    25,000 USD
  • Country of Origin:
    Poland
  • Country of Filming:
    Poland
  • Language:
    Polish, Spanish
  • Shooting Format:
    Digital
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    Yes
  • Student Project:
    Yes
  • Warsaw International Film Festiwal
    Warsaw
    Poland
    October 13, 2019
  • Gdynia Polish Film Festival
    Gdynia
    Poland
    September 19, 2019
    European Premiere
    Best Shorts
Distribution Information
  • Studio Filmowe Indeks
    Country: Poland
    Rights: All Rights
Director Biography - Sara Bustamante- Drozdek

Born in Warsaw in 1992.
Graduated from Film Directing at the National Film School in Łódź.

Add Director Biography
Director Statement

I wanted to create a space that would suitable to show many various and also extreme human emotions. What inspired me while making this story were the dialogues I could overhear in public transport as well as the stories of nineteenth-century polluters through which arsenic could execute a bloody harvest. What also fascinated me was the specificity of relationships which put every thing they argue about on the knife’s-edge. Seemingly a trivial situation for most of us is already a border situation for my characters, which then triggers in them many surprisingly unexpected reactions.