Experiencing Interruptions?

Last One

In a post-apocalyptic future, the last woman on Earth journeys to find other survivors and reconcile the loss of her loved ones.

  • Carlo Tonda
    Director
  • Carlo Tonda
    Writer
  • Carlo Tonda
    Producer
  • Viviana Castro
    Key Cast
    "Last Woman On Earth"
  • Abraham Lopez
    Key Cast
    "Boyfriend"
  • Davide Picci
    Cinematographer
  • Mario Nakasone
    Colorist
  • Rachel Little
    Production Designer
  • Isabelle Engman
    Composers
  • Gerardo Garcia Jr
    Composers
  • Helix Collective
    Music Performers
  • Patrick Brown
    Art Director
  • Carlo Tonda
    Editor
  • Issac Montanez
    Assistant Director
  • Scott Crawford
    Script Supervisor
  • Bella Dzhabrailova
    Boom Operator
  • Joshua Roy
    Gaffer
  • Jesus Herrera
    First AC
  • Cristian Dominguez
    Second AC
  • Ricky Nguyen
    Dolly Grip
  • Rodrigo Martinez
    Grip
  • Carlo Tonda
    Executive Producer
  • Project Type:
    Short
  • Genres:
    Sci-Fi, Romance, Drama, Fantasy, Music
  • Runtime:
    8 minutes 53 seconds
  • Completion Date:
    March 1, 2020
  • Production Budget:
    300 USD
  • Country of Origin:
    United States
  • Country of Filming:
    United States
  • Language:
    English
  • Shooting Format:
    Digital
  • Aspect Ratio:
    2:1
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    Yes
  • Los Angeles Live Score Film Festival
    Los Angeles
    United States
    July 16, 2019
    Runner-Up For Best Picture & Best Original Score
Director Biography - Carlo Tonda

Carlo Tonda is an award-winning Guatemalan multilingual filmmaker, who came to the U.S. to pursue minority representation in media.

He’s based in Los Angeles, CA, where he has worked with brands and production companies from around the world, such as Urbanflix, E! News, Aloof and Lady Gaga.

His mentors include Raquel Gallego, known for her camera work in Marvel’s Black Widow.

Recently, he shot the feature films Aguanta and Red Flamingos and is directing Ǝvol, a psychological-horror short.

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Director Statement

We make art to both represent and treat our own humanity. Galleries, stages and movie theaters are sanctuaries where we are allowed to feel. In them, we are free to react when something touches us. Personally, I’m in debt to films. Watching them has helped me through tough times and making them is the most exhilarant part of my life.

Some people say, “the TV is not a good babysitter.” I beg to differ. I was raised by two working parents, in a country where kids are warned to stay inside. After school, TV was my only companion. Through it, I saw the wonders of this world and other worlds. It opened my imagination and challenged my perspective on issues I had never heard of. Every story placed me in someone else’s shoes, and I saw myself in all of them.

As a filmmaker, I want others to have this introspective discovery with my content. I think of my productions as a discussion with the viewer. I focus on themes that are loaded with a moral question that I’m personally struggling with. I leave it to the audience to fill in the right answer if any. As frightening as it is, the complicated questions in life lack simple answers. There are more gray areas in human righteousness than black and white ones. I’ve found a genre to be a great refugee to explore these ideas. By personifying and materializing them into fantasy characters in surreal environments, we bring our defenses down, opening up to new themes and starting a discussion.