The Andean Screen
A Northwestern Argentinian teacher leads a mobile cinema crew to the most isolated school in the Jujuy high-altitude valleys, undergoing a 20-hour journey on foot in adverse conditions. Their arrival involves us in the high-altitude educational values, portraying the isolation in the Andean worlds and how communities engage with the earth. “The Andean Screen” is a poetic analogy between cinema and travel; a choral history spun by Silvina Velázquez, principal of the school, whose tenacity introduces a new paradigm for the women of the valleys.
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Carmina BalaguerDirector
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Carmina BalaguerWriter
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Carmina Balaguer (Mónt.ON)Producer
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Julián Luis MoralesComposer
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Patricio ArteroCinematographer
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Júlia R. AymarEditor
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Estudios HemSound mixing
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Gaspar Quique SilvaColor Correction
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Natalia ContiMotion graphics
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Project Title (Original Language):La pantalla andina
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Project Type:Documentary
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Genres:Documentary
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Runtime:48 minutes 28 seconds
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Completion Date:December 1, 2021
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Country of Origin:Spain
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Country of Filming:Argentina
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Language:Spanish
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Shooting Format:Full HD
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:No
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14th BBK Mendi Film Bilbao-BizkaiaBilbao
Spain
December 9, 2021
National and World Premiere
Best Culture and Nature Film -
70th Trento Film FestivalTrento
Italy
May 4, 2022
International Premiere -
24th Cine Las Americas International FilmAustin
June 12, 2022
Best Documentary Short Jury Award -
13th Festival Internacional de Cinema de CerdanyaPuigcerdà
Spain
August 3, 2022
Best Mountain Film -
8th Festival Internacional de Cine de las AlturasSan Salvador de Jujuy
Argentina
September 5, 2022
Opening Film -
7th Festival de Cine Etnográfico de EcuadorQuito
Ecuador
September 23, 2022 -
14th San Francisco Latino Film FestivalSan Francisco
United States
October 18, 2022 -
18th Festival Internacional de Cine de los Derechos HumanosSucre
Bolivia, Plurinational State of
August 30, 2022
Bolivian
Mención Honrosa -
Terra Gollut Film FestivalRipoll
Spain
September 23, 2022
Opening Film -
31st International Festival of Ethnological FilmBelgrade
Serbia
October 5, 2022
Serbian -
18th Inkafest Mountain Film FestivalArequipa
Peru
November 18, 2022
Best Mountain Culture Film -
XIV Festival del Cinema dei Diritti Umani di NapoliNaples
Italy
November 22, 2022 -
29th SUNCINE Festival Internacional de Cine del Medio AmbienteBarcelona
Spain
November 1, 2022 -
13th Ethnofest Athens Ethnographic Film FestivalAthens
Greece
November 24, 2022 -
Televisió de Catalunya - Canal 33
Spain
December 15, 2022 -
39th Festival international du film de montagne d'AutransAutrans
France
December 3, 2022 -
18th MÓC GOR Mountain Spirit FestivalZakopane
Poland
Best Sociocultural Film -
6th International Women Filmmakers Festival
Turkey
March 8, 2023
Camera Eye Short Documentary Category Jury’s Special Award -
Finalist Women's Solution Award 2023 - One World Media
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Festival de Cine Inusual de Buenos AIres
Argentina
October 20, 2023
Best Documentary Film -
XI Festival de Cinema Indígena de Barcelona
Spain
October 3, 2023
Pre-opening Film
Distribution Information
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FeelsalesSales AgentCountry: WorldwideRights: All Rights
Carmina Balaguer grows up in a restless family based in the Mediterranean and in the Pyrenees and she travels the world since early childhood. From very early on, she approaches the world observing how territories and their landscapes impact the customs of those who inhabit them.
Her approach to the audiovisual language arises in her homeland, Barcelona, Spain, working for eight years as a street casting director and assistant as well as being part of filming production teams. Some productions of this period stand out: “Sueño y Silencio” by Jaime Rosales, produced by Fresdeval Films; “The Impossible”, by Juan Antonio Bayona, produced by Apaches Entertainment; and “EVA”, by Kike Maíllo, produced by Escándalo Films.
In 2013 she settles in Argentina for six years, where she works as a travel writer for Viajes National Geographic and National Geographic Traveler Latin America. There she also covers the Latin American television industry writing for the North American outlet The Daily Brief, Promax Global. During her sixth year in the country, she bases in the Jujuy province –bordering Bolivia and Chile– in order to research the indigenous Kolla communities. There, she gets to know the work of the Mobile Cinema crew and the educational values of high-altitude contexts.
‘The Andean Screen’ is her first documentary as a director / producer.
I’m telling this story to vindicate our right to dream. I am convinced that dreaming brings us closer to our emotions which enables us to act and to develop as a society. Having dreams and the desire of making them come true brings commitment and responsibility.
Both cinema and working –when undertaken as a purpose– are open doors towards the accomplishment of our dreams. Thus, the teacher Silvina Velázquez and the Mobile Cinema crew composed by Asunción Rodríguez and Enrique Hernández, embody these values, being a source of inspiration these days. The three, aligned with their life purpose, carry dreams to others and take care of their own dreams.
Besides, the three of them are the ones who introduce us into the Andean tradition, whose culture I am committed to communicate. I am convinced that, now more than ever, it is the rural and ancestral knowledge that will help us move forward.
"The Andean Screen" arises after the lockdowns caused by the COVID-19 pandemic has brought empathy towards stories of isolation and isolated worlds.