La Cabala
A Tired Cop, Coward Judge, Disgraced actress, and Egotistal mobster show theri morality in what is right or wrong
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Taylee GaillardDirector
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Nashard MarrowDirector
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Cross HarriosnWriter
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Cross Harrison HarrisonProducer
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Carson CraigKey Cast"Rick"
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Blaise LacarterKey Cast"Johnny"
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Ashton IsasiKey Cast"Micheal"
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Imani TaillyKey Cast"Chyrl"
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Steven KimberleGaffer
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Jaleah MCkinzieProduction Assistants
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Noryan Vasquez -RequejoCinematographer
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An MCalisterCinematographer
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Langsont HendersonSound engenier
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Tayla HoltScript supervisor
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Ariana BeverlyCostume
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Salma BakerSet Dresser
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Taylee GaillardEditor
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Project Type:Short
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Runtime:5 minutes 13 seconds
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Completion Date:November 27, 2024
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Production Budget:150 USD
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Country of Origin:United States
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Country of Filming:United States
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Language:English
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Shooting Format:Digital
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:Yes - University at North Carolina Greensboro
Distribution Information
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youtubeDistributorCountry: United States
Taylee Gaillard is an emerging filmmaker who began their journey in 2024, quickly making a name for themselves in the world of student short films. With a strong foundation in cinematography, gaffing, and editing, Taylee has honed their technical skills while developing a distinct directorial voice. Though they have won awards as a gaffer at the Greensboro 48-Hour Film Project, Taylee's focus is on directing, where they bring a unique vision to every project.
As a director, Taylee is passionate about creating worlds that draw audiences in through relatable and lovable characters. Their storytelling focuses on emotional depth, ensuring that every narrative resonates on a personal level. With a growing body of work, Taylee is committed to producing films that not only entertain but also provoke thought and connection.
When directing La Cabala, I envisioned a world that felt dark and insular, almost claustrophobic—a place the audience feels they shouldn’t be. I aimed for a visual palette that was muted yet dangerous, emphasizing tension and unease. My goal was for no character to stand out as morally superior; each occupies the same ambiguous space, leaving the audience to question their motives and actions equally.
A significant focus was on Michael’s performance. He served as both an observer and an active participant, a subtle catalyst who either broke the tension or propelled it forward. Structurally, I leaned into group shots to reinforce the collective tension, saving close-ups and medium shots for moments of high conflict to amplify their impact. Through these choices, I sought to immerse the audience in a morally complex, tightly woven narrative that lingers well after the credits roll.