LEVEL 05
Life is just a game. The human body is a perfect machine… that’s what we thought.
If you are willing to have it integrated with chips and electric circuits you can push yourself beyond all limits.
Will you be able to resist?
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Andrea Di BartoloDirector
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Roberto TomeoWriter
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Andrea Di BartoloWriter
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Andrea & Paolo Lombardi ProductionsProducer
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Gabriele BocchioKey Cast
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Emanuela GattiKey Cast
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Paolo RivaKey Cast
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Project Type:Short
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Runtime:14 minutes 54 seconds
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Completion Date:January 1, 2017
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Production Budget:10,000 EUR
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Country of Origin:Italy
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Country of Filming:Italy
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Language:Italian
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Shooting Format:Digital Full HD FullFrame
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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CANNES - SHORT FILM CORNER 2017Cannes
France
May 18, 2017
World Premiere -
Contending for DAVID DI DONATELLO 2018 PrizeRome
Italy -
OFFICIAL SELECTION CYBORG FILM FESTIVALArezzo
Italy
September 29, 2017 -
12 MONTHS FILM FESTIVALCluj Napoca
Romania
September 9, 2017 -
CARDIFF INTERNATIONAL FILM FESTIVAL 2017Cardiff
United Kingdom
October 27, 2017 -
FAKE FLESH FILM FESTIVALkAMLOOPS
Canada
October 20, 2017
He was born in 1970 in Alessandria.
After graduating high school with a diploma in industry he
began his cinema studies attending courses at the Federico
Fellini Institute in Turin. This was followed by years of internships
and collaborations with important industries of the
production and post-production sector in the Piedmont
capital. He has also produced various short films and musical
videos. Among his works as a director we can find GAME OVER
(Short film - 2009) L’Annuncio (Short film - sitcom -2011)
AVATAR Videoclip performed by Roccaforte -2012) NOTTE
SOLITARIA (Short film - 2013 ) L'AQUILONE (Videoclip Performed
by Roccaforte -2013) FERIE D'AGOSTO (Videoclip Performed
by Massaroni Pianoforti -2013) MELE MARCE (Videoclip
Performed by Arizona Dogs - 2014) NON C'E' PIU' ARROSTO
(Videoclip Performed by Ribes -2015) NON ASCOLTARE IL
CUORE (Short film on femicide 2016) DISORDINE (Videoclip
Performed by VIRIDANSE - 2016) GUIDAMI (Videoclip performed
by ROCCAFORTE - 2016)
Web Site: www.webalice.it/andreadibartolo
Gabriele, the protagonist of the short film, against his wife’s
will agrees to take part in an experiment on a new type of
videogame based on augmented reality and on a revolutionary
neural interface. This choice will throw the protagonist into an
infernal spiral where he will endure a mortal experience,
trapping him in a loop with no way out. Only at the end do we
understand that behind it all is an unscrupulous C.E.O. and
Gabriele’s own wife Sara who are determined, despite the
disappointing results obtained in the experiment, to go ahead
with the creation of this lethal videogame.
This short film was created with the sole purpose of entertainment,
with the desire to create an entertaining work. Obviously
it is up to the public to interpret it in the way they wish. Personally
I found it interesting to develop the film as a type of
condemnation of the alienation into which the devices of our
time like smart phones or tablets have thrown us, to the point
of turning us into sociopaths. The compulsion to possess,
store and objectify every moment is an integral part of our
contempory anxieties which includes the mania for digitilizing
everything which leads us to lose and cancel the atmosphere
of the real, from which evidently we wish to escape. It’s an
accepted fact that the use of computers, smart phones,
tablets, televisions and videogames is a constant in our lives,
they permit us to live multiple experiences at an emotional and
rational level. These instruments amplify the range of our
actions, generating a parallel dimension to our physical
existence. In the film, in agreement with the author Roberto
Tomeo, I exasperated this aspect by giving the protagonist a
neural interface so as to make him and the machine one and
the same. Emotions, pain, joy, anxiety, happiness: everything is
lived in real time and amplified in a sort of modern medieval
torture. The film is set in the eighties at the dawn of the home
computer technology, those computers, alas, that we all know
and use daily.